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Macbeth - Act 4, scene 1
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Act 4, scene 1.
Macbeth approaches the witches to learn how to make his kingship secure. In response they summon for him three apparitions: an armed head, a bloody child, and finally a child crowned, with a tree in his hand. These apparitions instruct Macbeth to beware Macduff but reassure him that no man born of woman can harm him and that he will not be overthrown until Birnam Wood moves to Dunsinane. Macbeth is greatly reassured, but his confidence in the future is shaken when the witches show him a line of kings all in the image of Banquo. After the witches disappear, Macbeth discovers that Macduff has fled to England and decides to kill Macduff’s family immediately.
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- Act I: Scene 1
- Act I: Scene 2
- Act I: Scene 3
- Act I: Scene 4
- Act I: Scene 5
- Act I: Scene 6
- Act I: Scene 7
- Act II: Scene 1
- Act II: Scene 2
- Act II: Scene 3
- Act II: Scene 4
- Act III: Scene 1
- Act III: Scene 2
- Act III: Scene 3
- Act III: Scene 4
- Act III: Scene 5
- Act III: Scene 6
- Act IV: Scene 1
- Act IV: Scene 2
- Act IV: Scene 3
- Act V: Scene 1
- Act V: Scene 2
- Act V: Scene 3
- Act V: Scene 4
- Act V: Scene 5
- Act V: Scene 6
- Act V: Scene 7
- Act V: Scene 8
- Act V: Scene 9
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Summary and Analysis Act IV: Scene 1
Macbeth returns to the Weird Sisters and boldly demands to be shown a series of apparitions that tell his future. The first apparition is the disembodied head of a warrior who seems to warn Macbeth of a bloody revenge at the hands of Macduff . The second is a blood-covered child who comforts Macbeth with the news that he cannot be killed by any man "of woman born." The third is a child wearing a crown, who promises that Macbeth cannot lose in battle until Birnam wood physically moves toward his stronghold at Dunsinane.
Encouraged by the news of such impossibilities, Macbeth asks, "Shall Banquo's issue ever reign in this kingdom?" The Witches present an image of a ghostly procession of future kings, led by Banquo . All this serves only to enrage Macbeth, who, trusting in his own pride, reveals in an aside to the audience his determination to slaughter the family of Macduff.
This scene can be roughly divided into three: the Witches' casting of a spell; the supernatural answers to Macbeth's demands; and Macbeth's return to the cold world of political and social reality. The scene's structure deliberately recalls the opening scenes of the play. Once more, Macbeth's destiny is in question. Once more, he receives three prophecies. Once more, he is left on his own to decide how best to interpret those prophecies. And once more he fails to understand that Fate is inevitable, however he chooses to act.
The Witches' charm is fantastic: Its ingredients, thrown into a bubbling cauldron, are all poisonous. Moreover, these ingredients are all the entrails or body parts of loathed animals or human beings, which, taken together, can be interpreted as making a complete monster: tongue, leg, liver, lips, scales, teeth, and so on. The strong implication is that Macbeth himself is no longer a complete human being; he himself has become a half-man, half-monster, a kind of chimera.
Macbeth arrives at the Witches' lair with extraordinary boldness, knocking at the entrance in a way that ironically recalls the entry of Macduff into Macbeth's castle in Act II, Scene 3. When he "conjures" the Witches to answer him, his language is uncompromising: He matches their power with a powerful curse of his own, demanding to have an answer even if it requires the unleashing of all the elements of air, water, and earth; even if all the universe — natural or manmade — "tumble" into ruin. His most defiant act, by far, is to desire to hear the prophecy of his future not from the Witches, who are themselves only "mediums" of the supernatural, but from their "masters," that is, the controlling Fates.
Macbeth's demand is answered by a sequence of apparitions. Unlike the dagger and Banquo's ghost, these supernatural visions cannot be simply the workings of Macbeth's "heat-oppress'd brain." They are definitely summoned by the Witches. Once again, the audience is required to assess the extent to which Macbeth is responsible for his own actions. What is certain is Macbeth's response to each prophetic apparition: He appears to be super-confident, even flippant, in his replies. There is little fear or respect, for example, in his reply to the First Apparition: "Whate'er thou art, for thy good caution, thanks." And his punning reply to the Second Apparition's "Macbeth, Macbeth, Macbeth" — "Had I three ears, I'd hear thee" — displays a comic arrogance.
Apart from the first, all the apparitions, including the fourth and final one of a procession of future kings, contain children. The juxtaposition of children (pictures of innocence) and images of death, warfare, and blood, is dramatic and terrifying, but especially so for Macbeth: For a man who has no offspring, the image of children can only fill him with hatred and loathing.
Having rejected as impossible the second two prophecies, Macbeth asks for one last favor. The result appalls him, drawing all strength from him and reducing his earlier courage. The children who appear in this procession are the children of Fleance. The reflected light of their golden crowns "does sear (cut into) mine eye-balls" and causes his eyes to jump from their sockets. The climax to Macbeth's reaction occurs in the line "What! will the line (of inheritance) stretch out to the crack of doom?" in which he finally realizes the possibility of an entirely Macbethless future.
In a scene rich with special effects — thunder, ghosts and (possibly flying) Witches — Shakespeare adds a final visual stroke: The eighth child-king carries a mirror that reflects the faces of many more such kings. The effect of infinite regression can be achieved by looking at a mirror while holding a smaller mirror in your hand in which the reflection is reflected.
The Witches confirm the inevitability of what Macbeth has seen: "Ay sir, all this is so." There can be no equivocation, no argument, with Fate.
Emerging into the cold light of day, Macbeth seems immediately to forget the final prophecy, as he returns to the practicalities of what is increasingly a battle for his own political survival. On being informed that Macduff has fled to England, he announces his intention to wreak a terrible revenge on Macduff's wife and children.
brinded (1) streaked
fenny (12) living in the marshes
howlet (17) young owl
yesty (53) frothing
lodg'd (55) beaten down
germens (59) seeds
farrow (65) litter of pigs
harp'd (74) guessed
impress (95) force
mortal custom (100) usual lifespan
crack of doom (117) Day of Judgment
antic round (130) mad dance
this great King (131) possibly a reference to James I (the king in Shakespeare's audience)
flighty . . . with it (145) Unless acted upon immediately intentions may be overtaken by time.
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Macbeth has two major conflicts. The first is the internal conflict between his morals and his ambition, exemplifying the conflict of Man versus Himself. Macbeth’s internal conflict between his morals and his ambition begin with the witches...
The symbolism of the dagger in “Macbeth” is that it represents Macbeth’s bloody destiny, and Macbeth’s vision of this dagger is one of the many hallucinations and visions that creates a motif of deception throughout the play.
Some examples of personification in Macbeth include the lines “dark night strangles the travelling lamp” (Act 2, Scene 4) and “new sorrows / Strike heaven on the face” (Act 4, Scene 2).
The eight kings that appear to Macbeth in the fourth apparition represent the line of kings from Banquo to James I. Macbeth's mention of "two-fold balls and
The fourth was when Macbeth was shown a mirror, with 8 kings in a row. these kings were all related to Banquo, which meant Fleance was to be king. This ruined
In response they summon for him three apparitions: an armed head, a bloody child, and finally a child crowned, with a tree in his hand. These apparitions
what does the third apparition say? macbeth won't be defeated until birnam wood rise to dunscaith hill. what is the fourth apparition? a line of eight kings
They are telling him what is going to happen in the future but they are really just messing with his mind and stirring up more trouble.
The witches conjure up three apparitions. First a floating head appears and tells Macbeth to beware of Macduff. Next, a bloody child appears. The child says
'The third apparition, the ",Child crowned, with a tree in his hand," as UTpton properly says, seems to point clearly to Malcolm, the son and heir of Duncan.
The first apparition is the disembodied head of a warrior who seems to warn Macbeth of a bloody revenge at the hands of Macduff. The second is a blood-covered
In Act 4, the four apparitions affect Macbeth's reaction and response. The first apparition is a head with a helmet on it. This apparition gives a warning to
The Three Apparitions · First Apparition: The Severed Head · Second Apparition: The Bloody Child · The Third Apparition: The Royal Child and Tree.
The First Apparition: "Beware Macduff; Beware the Thane of Fife." The Second Apparition: "none of women born Shall harm Macbeth." The Third Apparition: "be lion