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Juice WRLD Explains Why He Mentioned Drake on Lil Yachty’s “Yacht Club”

The "Lucid Dreams" rapper also detailed his collaborative effort with Future.

Image via Getty/Johnny Nunez

Fans were surprised upon hearing Juice WRLD 's lyrics on Lil Yachty 's song " Yacht Club " which reference Drake and the mother of his child. Though the bar did garner a lot of attention, Yachty claims that Drake actually laughed off the line .

Vulture recently spoke with Juice WRLD, and he talked about several things, including the infamous Drake shot. As he regards himself as "one of Drake's biggest fans you could ever find," the "Lucid Dreams" rapper actually cited Eminem as the inspiration behind the lyric. "I'm also a big fan of Eminem, and sometimes I use his point of view, his style," he says. "When Eminem was coming up, he used to crack jokes [about other people] in his music. It was satire. I incorporated the same thing." He goes on to say, despite how people may receive the lyrics, he believes "Drake knows it's a joke... I think he's the greatest in the game right now."

It is apparent Juice WRLD is learning from the foundation Drake set, as WRLD on Drugs (the former's collaboration with Future ) comes three years after What a Time To Be Alive (the latter's collaboration with Future). When speaking about WRLD on Drugs , he stated that his collaboration with Future took one day less than it took to make WATTBA . "We probably made twice as many songs than we dropped, as well," he said, informing fans that new music may be on the way.

To check out the rest of the Juice WRLD interview, click here .

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"Yacht Club" lyrics

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Lil Yachty , Juice WRLD

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Miles Parks McCollum (born August 23, 1997), known professionally as Lil Yachty, is an American rapper, singer and songwriter. Yachty first gained recognition in August 2015 for his singles "One Night" and "Minnesota" from his debut EP Summer Songs. He released his debut mixtape Lil Boat in March 2016. On June 10, 2016, Yachty announced that he had signed a joint venture record deal with Quality Control Music, Capitol Records, and Motown Records. His mixtapes Lil Boat and Summer Songs 2 were released in 2016 and his debut studio album, Teenage Emotions in 2017. His second studio album, Lil Boat 2 was released on March 9, 2018. more »

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Written by: Isaac Earl Bynum, Jared Higgins, Miles Parks McCollum

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• #1 Gimme My Respect
• #2 Get Dripped
• #3 Riley from The Boondocks
• #4 I'm the Mac
• #5 Yacht Club
• #6 SaintLaurentYSL
• #7 We Outta Here!
• #8 Who Want the Smoke?
• #9 Worth It
• #10 Everything Good, Everything Right
• #11 Next Up
• #12 Forever World
• #14 Fallin' in Luv

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These Are the SoundCloud-Era Rappers Ranked on Current Impact

The SoundCloud era of rap was sensational. Flourishing from about 2015 to 2019, the movement birthed a peerless class of artists who refused to fall in line. These artists preferred to push the needle with their otherworldly artistry, and the result was an immense amount of impact in the rap game. From deep cuts to respected projects that have been stamped as classics, what a time it was.

These days, the streaming service is getting a breath of fresh air with a new movement that’s been brewing. Talented names like Bktherula , Yvngxchris , Iayze , Ken Car$on and Tana  have picked up where their OGs have left off. So, considering the platform’s reinvigorated popularity, enough time has passed to spotlight and rank the inaugural artists who used SoundCloud as a vehicle to success.

Artists like Chance The Rapper and Travis Scott were pace-setting superstars, and some of the first to utilize SoundCloud. At the halfway mark of the last decade, they were already on their way to superstar status, serving as an example for newer rappers who were seeking out their own come ups. XXL highlights the SoundCloud-era rappers that came after them, ranking their place in the game now based on their current impact. The following artists are included in the conversation.

By 2016, the game would be blessed with the presence of Lil Uzi Vert and Playboi Carti , two boundary-shifting spitters who thrived with their free-flowing melodies and charismatic lyrics with swagged-up personas to match. Together and individually, alongside other names like 21 Savage and Kodak Black , they sparked a fire in music that has yet to lay down.

A little later, a secondary unit picked up the keys and unlocked the elevator to success. Artists like  XXXTentacion and Juice Wrld reigned as a voice of the youth, blending rock, rap and lo-fi genres into one ear-pleasing potion. They were stamped as young prophets, and though their careers were both cut short, X and Juice delivered music strong enough to make it into hip-hop’s history book and into the SoundCloud Hall of Fame.

There are plenty more artists worth discussing as well. But first, let this be known: this list is ranked based on impact as well as catalog quality, commercial success and accolades. Additionally, only solo artists are included (sorry to the legendary $uicideboy$) and not every artist from that time period made the cut. This is a tight composition of the best 20 acts, which includes why they matter and how they fare against each other in the grand scheme of things. Check out the full ranking below.

See the SoundCloud-Era Rappers Ranked on Current Impact

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Lil Uzi Vert, Lil Yachty and more close out Milwaukee's Summerfest with a hip-hop feast

It's only fitting that Summerfest — one of the world's largest music festivals with more than 600 performances over nine days — should end with a massive show in its biggest venue, the American Family Insurance Amphitheater.

Hip-hop superstar Lil Uzi Vert closed out the Milwaukee fest's largest stage Saturday, a noteworthy booking considering the only other place they've played this year was Coachella, and they have no other appearances scheduled this year (so far).

But with all due respect to Uzi Vert, that's not what made this show massive.

It was the incredibly stacked bill leading up to the finale, with Lil Yachty, J.I.D., Rico Nasty, LIHTZ and a thrilling Milwaukee hip-hop showcase starring breakout rappers J.P. and 414BigFrank, with surprise appearances by SteveDaStoner and Mook G, plus Milwaukee spinner Djay Mando.

In total, there were nine rappers who performed at the amphitheater Saturday. The show lasted a full five hours, with 15 minutes max between sets.

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More: 'Thankful for the opportunity': Milwaukee rappers J.P., 414BigFrank mark Summerfest debuts

More: Ivan Cornejo, Anne Wilson, Amy Grant and the best and worst of Summerfest 2024's final day

Lil Uzi Vert ends Summerfest with a wild, rare show

That said, purists will scoff at the idea of Lil Uzi Vert being considered hip-hop, and their 45-minute Summerfest set wouldn't convince them otherwise. Rapping isn't the strong suit for the rap superstar, who went for long stretches across their songs not really rapping at all — including one somewhat tedious moment where they were trying to take a selfie on a fan's phone while the DJ blasted "Fire Alarm."

But Uzi Vert's appeal is that they are a walking, (sort of) rapping embodiment of Freud's concept of Id. And what they primarily wanted to do at this rare 2024 show is rock out.

For "x2," from last year's white-knuckle "Pink Tape" album — a song that sounds a bit like a Nintendo game soundtrack on steroids — Uzi Vert jumped the barricades to hang with fans at the base of a video screen, freaking out security. During "Amped," they were so hyped up they tossed an (unlucky) fan's phone that ended up on stage some 20 feet in the air, then for subsequent song "Pop," flung a microphone across the stage in a fit of passion.

Then later for a song that can aptly be described as their life's mission statement — "Do What I Want" — Uzi Vert dropped to their knees on a ramp on stage, in the center of a big ring of lights, where they were greeted with a deafening singalong. But it still wasn't loud enough for Uzi Vert, who orchestrated the crowd from their knees with waving arms, the singalong, seemingly at peak volume seconds ago, reaching greater heights.

Uzi Vert put a lot of energy onto that stage and was paid back from the crowd in kind, who supplied more electricity than even the DJ's bass-rattling song drops could muster singing and rapping along to Uzi Vert's unstoppable bangers like "20 Min" (including, for a minute, a cappella); their superstar-cementing blockbuster "XO Tour Llif3"; and their latest tsunami-level rager "Just Wanna Rock."

And while Uzi Vert's team made the curious choice to not let their set be filmed to be projected on the amphitheater's big screen, that didn't prevent the crowd way back on the bleachers from wilding out.

Lil Yachty has fun slipping into their old persona and songs

Lil Yachty has earned a reputation for being one of mainstream hip-hop's most admired weirdos, but even their recent output has managed to surprise, from last year's "Let's Start Here" album, which drastically switched up his style for a more psychedelic soul rock sound, and this year's "Bad Cameo," an often dreamy album made with Justin Vernon-loving English producer and songwriter James Blake.

"Cameo" didn't make a cameo during Yachty's nearly hourlong set, but it did begin with "Drive ME Crazy!" from "Here." But Yachty at the start of his set was surprisingly passive, the crowd, from my perspective, seemingly more excited to see Yachty than to hear Yachty take detours with newer material.

So, after a few songs, Yachty vowed to "turn this (expletive) upside down," delivering on that promise with "Slide" — a more straightforward, crowd-bouncing 2023 hip-hop track — and the audience transformed there for being happy Yachty was on stage to being thrilled to dance and rap to his music.

And that remained the mode, from both the rapper and his fans, for much of the rest of the set — aside from a touching moment when Yachty had the boisterous crowd join in a moment of silence in memory of Yachty's "Yacht Club" collaborator Juice WRLD.

If Yachty, at this stage of his artistic evolution, doesn't feel much connection with cutesy, nursery rhyme-like early hits like "Minnesota," "Broccoli" and "iSpy," he didn't show it, seemingly having as much fun vibing to those songs as his fans did nostalgically belting out their lyrics.

And while Yachty, like Uzi Vert, coasted here and there without much live rapping, he offered more than the main headliner, like an a cappella spin through "From the D to the A."

J.I.D. demonstrates superhuman spitting skills with opening set

J.I.D. accomplished the impressive feat of making Imagine Dragons seem cool in recent years with his dizzying guest verse on their hit “Enemy,” and his Summerfest set was an even greater demonstration of his superhuman skill.

His words flew so fast — but the enunciation still sticking with every syllable — that his rhymes outraced the speedy scroll of lyrics on the screen behind him for “151 Rum.” One could quibble that he announced it was his time to bounce five minutes before his set actually was supposed to end — but J.I.D. brought so much energy to thrillers like “Stick” and “Surround Sound,” and did such a good job convincing old hip-hop heads that the art of rap was in good hands, that he earned the right to hit the showers early.

Rico Nasty goes for the throat with visceral, fun set

Rico Nasty was no-nonsense for her 35-minute set, barely taking a break or talking to the crowd. But her personality was loud and clear.

Her brash, punk-inspired flow went straight for the jugular — even while it was peppered with some throat-ripping yells, eerily cutesy delivery a la early Nicki Minaj, and the occasional butt shake.

She never coasted on backing vocals either — her head-spinning delivery for “Cold” was especially fiery — and hearing her rap her signature song “Smack a (expletive)” over the beat for Ludacris’ “Move (expletive)” was an inspired flip.

LIHTZ doesn't fit bill, but makes lasting impression

On paper, LIHTZ was the most out of place of all the rappers on Saturday’s bill. While everyone else on stage had catalogs filled with high-energy bangers, the masked Philadelphia rapper specializes in softer, slower, melodic pain rap, with pensive piano and acoustic guitar the dominating sounds on “Mixed Signals” and “Serenity.” But LIHTZ was such a passionate presence on stage, with such a luminous flow — even expressed a cappella for a portion of “Broken Spirit” — that he was impossible not to like.

Milwaukee's own J.P., 414BigFrank, SteveDaStoner, Mook G, Djay Mando kick things off

Saturday’s amphitheater show at Summerfest was a celebration of some of hip-hop’s most exciting national talents — and that includes Milwaukee’s street rap scene, which has earned a place in that conversation.

For about five years, local rappers have earned hundreds of thousands, even millions, of streams for individual songs at a rapid clip. There have been record deals and glowing coverage from Pitchfork, Rolling Stone and other major outlets. And Saturday, multiple buzzy Milwaukee rappers played Summerfest’s biggest stage.

Milwaukee’s premier party starter Djay Mando set the mood first, slipping in local rap gems like Munch Lauren’s “Big Money” and AyooLii’s “Schmackin Town” into his mix. Then came 414BigFrank, whose big, fun-loving personality instantly emerged for this year’s lowend breakout “Eat Her Up,” with Frank and about a quarter of the large on-stage entourage busting into some synchronized dance moves.

Unannounced special guest Mook G took the stage next for “Pay Me,” with another surprise guest, SteveDaStoner, rapping by his side. Stoner essentially has become the mascot for Milwaukee’s rap scene — and a popular guy eager for a selfie roaming the stages through the fest this year — and when he took over the set for his signature banger “RWS,” it was clear how Ludacris could have charmed enough by the guy to join him for a viral “free concert” stunt at 3rd Street Market Hall last month.

J.P., effortlessly translating the charm and charisma from his TikToks to a big stage, closed out this 25-minute Milwaukee rap party — a fitting choice considering none other than Lil Uzi Vert was the first famous rapper to endorse the Milwaukee rapper following his debut lowend single “Juicey Ahhh.” Alas, it didn’t make the set, but J.P. has since had an even bigger smash, “Bad Bitty” — arguably the biggest song ever from a Milwaukee-based rapper, with more than 19 million Spotify streams and counting. You better believe even the people toward the back of the amphitheater rapped “Bad Bitty” back to J.P. at the top of their lungs.

To see the scene celebrated on the biggest stage of Milwaukee’s biggest festival was a joyful achievement after years of unprecedented accomplishments. Here’s hoping it marks the first chapter of an exciting new beginning.

Contact Piet at (414) 223-5162 or  [email protected] . Follow him on X at  @pietlevy  or Facebook at  facebook.com/PietLevyMJS .