Monsters of Makeup
Your Favorite Characters and the Prosthetics That Made Them
The Many Masks of the Phantom of the Opera
The Phantom’s mask always looks so perfect, you wonder why every iteration of Christine Daae instantly wants to tear it off. You’d think that one version of her across all the countless spin-offs and adaptations would think “Hey, Erik, that’s a good look for you.” But no, by the time the end of the story rolls around the mask has been not only been removed from Erik’s face, but discarded completely.
So, before Miss Daae arrives to throw all of these masks into the Seine, let’s take a look at the various versions the Phantom has worn throughout his tenure at the Paris Opera House. From books, TV, animation, to the stage, he’s got a closet full of these things. We’ll look solely at his Phantom mask, so the Masque of the Red Death will have to sit this one out. Tune your singing voice, grab a flintlock and a violin, and let’s go down the catacombs.
1. Original Novel Mask – 1909-1910
In the original novel, Erik’s mask is black and covers his entire face. The first edition of the book featured watercolor illustrations by Andre Castaigne, but only the Phantom’s disfigured face was featured. The mask wasn’t depicted until the 1920 French edition, where it’s shown on the cover art as a domino-style facemask that makes him look like a scary version of Zorro.
The cover art was reimagined for the 2011 Centennial Edition, which made the mask more in line with recent depictions.
2. Lon Chaney’s Phantom Mask – 1925
Out of all the adaptations, Lon Chaney’s Phantom makeup from Universal’s silent film is still regarded as the most faithful to the book. The mask is another story. It’s a 3/4 mask that sports some killer eyebrows and a small duster flap hanging from the bottom. He also wears a Middle-Eastern style cap, which reflects the character’s past travels to Persia in the novel.
3. Claude Rains’ Phantom Mask – 1943
If you’ve ever wondered what the Phantom would look like if he was seasick, look no further than the greenish-hued mask of Claude Rains. In the second version produced by Universal, the Phantom terrorizes the opera in a mask that is more designer than Chaney’s, with some decidedly angrier eyebrows.
4. Operetta Ghosts – 1960
In the little-seen Mexican comedy The Phantom of the Operetta , several perpetrators dress in identical masks and costumes to terrorize an opera house. With the hat and hair combo, the mask looks rather like the Quaker Oats guy in a bad mood.
5. Herbert Lom’s Phantom Mask – 1962
If Leatherface had a musically inclined cousin, this is probably how he’d dress. The Hammer Horror Phantom appears to be into DIY crafts, since this mask has a semi-homemade look that makes it one of the most disturbing iterations. It covers his entire face, with a sewn-in patch that covers his useless left eye.
6. Leslie Nielsen’s Phantom Mask – 1971
Leslie Nielsen played the Phantom in a comic segment from an episode of Night Gallery . In his four minutes of terror, Nielsen’s Phantom wears a mask meant to be an homage to Lon Chaney’s.
His labored breathing makes him suck in the duster flap that hangs from the bottom and also prevents him from blowing out a candle. It has some rosier cheeks than Chaney’s mask and no eyebrows, so it’s probably the closest to a porcelain doll of Frank Drebin that we’ll ever get.
7. Phantom of the Paradise – 1973
Transpose a 19th century opera story into a 1970s rock opera and you’re going to get one funky looking Phantom mask. The Phantom of the Paradise dons a face covering that is more like a helmet, giving a mashup of gothic-sci-fi-ish flair to his musical shenanigans. Black lipstick helps, too.
8. The Phantom of Hollywood Mask – 1974
Phantoms come in many shapes, and this one comes dressed as a punk medieval executioner. This mask hides a deformed actor who picks off the people who plan to sell his beloved movie studio backlot, using a disguise reminiscent of something from the cover of a Goosebumps book.
9. Maximilian Schell Phantom Masks – 1983
Another TV movie adaptation introduces two different Phantom masks. The first one would make a great monster makeup if we can get Rick Baker out of retirement to make it. The second is creepily life-like and sends you sprawling into uncanny valley.
10. Michael Crawford Phantom Mask – 1986 Musical
The mask that took home the Olivier Award. This one is worn by the Phantom in the most famous stage version of the story, written by Andrew Lloyd Webber. This is where the mask first took on it’s vertical “half-face” shape, apparently because Michael Crawford noticed that he couldn’t properly convey the Phantom’s emotions onstage while wearing the traditional half-mask.
11. Animated Phantom Mask – 1987
Judging from the animated version of the mask, Erik has possibly grown tired of not being able to grow a cool mustache like Raoul, so he just drew one on instead.
12. Robert Englund’s Phantom – 1989
In a Phantom of the Opera meets The Silence of the Lambs spin, Robert Englund’s Phantom wears a mask made of prosthetics that are made to look like human flesh. This disguises his disfigured face under a “normal” face. Like taking of your makeup before going to bed, the Phantom slowly peels off his face-facemask in a scene that would send Tom Savini into unbounded euphoria.
13. The Phantom of the Mall: Eric’s Revenge – 1989
For a strange update on the Phantom, the shape of the mask actually manages to be unique. It wraps around Eric’s (spelled with a “c” this time) face in a half-circle shape, providing the missing link between the previous half-masks and vertical half-masks. This Phantom also trades in his Middle-Eastern caps and slouch hats for a baseball cap, so you know it’s a home run (I’ll show myself out).
14. Charles Dance Phantom Mask – 1990
Tywin Lannister himself has suited up as the Phantom, in one of (if not the only) iteration where the Opera Ghost’s deformed face is never revealed. His mask goes the Batman route, covering his face with a small cutout for the mouth. A second, black version is briefly worn, along with a harlequin-inspired mask that makes our Phantom resemble a DC Comics villain.
15. Richard White Phantom Mask – 1991
Honestly, this one scares me more than the Robert Englund face-peeling routine. We always knew the Phantom was a tragic and very emotional character, but to give us a visual depiction of his sorrow as bloody tears is pretty gut-wrenching. This is one of several worn by White in the 1991 musical Phantom .
16. David Staller Phantom Mask – 1991
A metallic version? Sure, let’s do it. It seems like a strange choice at first, but then it hits you that this is the mask you did not realize you were waiting for. When watching this TV movie version, I have to remind myself that it is not a Doctor Doom origin story.
17. Phantom on of the Opera on Ice Mask – 1995
Yes, they put the Phantom on ice. They also gave him another metallic mask. This is probably the most ornate mask he’s ever worn, with intricate details and a cheek plate that fits underneath his left eye. Even Christine would hesitate from pulling this one off his face, since you’d be wary of leaving fingerprints on such a nicely polished garment.
18. Phantom of the Megaplex Mask – 2000
This Phantom appears to have stocked up on the holiday merch, sporting a mask that you’d swear you see every year at Spirit Halloween.
19. Gerard Butler’s Phantom Masks – 2004
Gerard Butler’s Phantom is probably the least scarred of all the Angels of Music. His mask is therefore smaller and more rounded than the 1986 musical version that it’s based on, most likely due to the filmmakers wanting to cover as little of their good-looking leading man as possible. If you know anyone who’s creating their own DIY Phantom mask, it’s usually this one. The Phantom also dons a black mask that’s more in line with the 1920 book cover art. It’s this one that’s torn off his face by the ever-eager Christine.
20. A Monster in Paris Mask – 2011
Every giant, blue, singing flea needs a mask. This computer animated Phantom goes for a sharp-pointed nose and cheek-plates, with a white suit combo that I wish we could see one day in a live-action film (It’d be a great fit for an adaptation set in the 1930s. The Shadow vs. The Phantom of the Opera , anyone?)
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The Phantom's mask
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The Phantom wearing the black mask in the original novel
With the exception of the Dario Argento/Julian Sands version, every version of the Phantom is seen wearing a mask, an image fixed into the minds of the world since its publication in 1911, though most tend to instantly think of the white half-mask from Andrew Lloyd Webber's stage musical.
- 1 In the Original Novel
- 2 The Mask in other versions of the story
- 3 1925 Lon Chaney silent film
- 4 1943 Claude Rains remake
- 5 Hammer Horror Herbet Lom version
- 6 Phantom of the Paradise
- 7 1986 Maximillian Schell TV movie
- 8 Robert Englund 1989 version
- 9 1990 Charles Dance miniseries
- 10 The Lloyd Webber Musical
In the Original Novel [ ]
In the Leroux book, Erik mentions having worn a mask even as a child, because his mother couldn't bear to look at his skull-like face. Erik wears a black mask that hides his entire face, and the original cover of the novel depicts Erik wearing a simple black domino mask that hides 3/4 of his face. He also wears a false nose when attending the Opera's productions, A similar black mask appears as one of many masks Erik wears in the Charles Dance version, specifically when Erik is in a malevolent mood, such as when he dumps a crate full of rats into Carlotta's dressing room. Susan Kay's Phantom has the same deformity, although has Erik wearing a white mask instead of a black one. Erik also mentions at the end of the book that he had invented a mask that made him look like he wasn't deformed.
The Mask in other versions of the story [ ]
1925 lon chaney silent film [ ].
In Lon Chaney's 1925 silent classic , Erik wears a unique mask, one that resembles a normal face with a dust muffler u nder the nose. He also wears a cap with this mask, making him resemble a regular Middle Eastern man when masked. However, Erik is hardly seen with his mask on, mostly keeping his deformed face in view of the audience.
1943 Claude Rains remake [ ]
in Universal's 1943 remake starring Claude Rains, Erique Claudin wears a bluish-white mask that covers 3/4 of his face, stolen from the Opera House's costume closet after his face was disfigured by acid. The mask also serves as a disguise when the Phantom sneaks about on-stage
Erique's mask in the 1943 remake.
during a production where the actors wore similar masks. Erique's mask is seen next to his violin on a pile of rubble after his supposed death.
The Phantom's mask in the Herbert Lom Hammer Horror version.
Hammer Horror Herbet Lom version [ ]
In the 1962 Hammer Horror version, this Phantom, like the Claude Rains version, had his face scarred by acid, and wore a white cloth mask that hid his entire face, save for one eye. He wears this mask during most of the film, only removing it in a few scenes toward the ending.
Phantom of the Paradise [ ]
A fan-made replica of Winslow's helmet
In Brian De Palma's Phantom of the Paradise, Winslow Leach becomes the Phantom after getting his face caught in a record press that mutilates half of his face and renders his right eye useless as a result. Winslow hides his scarred face with a silver owl-themed helmet/mask. Strangely enough, this helmet also has a black lens over the right eye hole, conveniently covering Winslow's damaged eye.
1986 Maximillian Schell TV movie [ ]
In the 1986 Maximillian Schell version, this version of the Phantom wears both a stone-gray mask that resembles a statue's face, as well as a mask that resembles his face prior to his disfiguration, once again by acid, though strangely enough his unmasked face looks similar to Lon Chaney's skull-like deformity, looking nothing like an acid disfiguration.
One of the masks in the 1986 TV movie.
Robert Englund 1989 version [ ]
Robert Englund's Phantom in the 1989 film had a very grotesque variant of the mask. Erik Destler made a deal with the devil that people would love him for his music and it would live forever, but that his music would
Destler applying flesh pieces to his face.
be the only thing he would be loved for, and as a result, his face was mutilated, missing his hair, teeth, nose, and one ear. Destler disguises this with a wig, false teeth, and sews flesh to his face, obtained from his victims, covering the stitches with makeup. At the masked ball, he wears a simple skull mask with his Red Death costume. In the modern day, Destler wears false prosthetic faces, making him look completely normal.
Erik on the DVD cover, wearing the white base mask.
1990 Charles Dance miniseries [ ]
The 1990 Charles Dance TV miniseries had Erik wearing multiple masks on top of a plain white base mask, and Erik's deformed face is never shown on camera. With the white base mask, he possesses a gold Apollo mask that he wears while teaching Christine, a black mask he wears during moments of rage, a skull mask that he wore while Joseph Buquet was snooping around in the cellars, causing him to get scared and fall to his death, and a crying clown mask with black tears that he wears when he believes Christine will not return to him.
The Lloyd Webber Musical [ ]
This version, aside from the Lon Chaney movie, is the most well-known version of the Phantom story, and the Phantom's white half mask is an iconic image that people tend to think of when someone mentions The Phantom of the Opera. The original intent was to have full facial deformity and thus a full mask, similar to the one seen in posters and promotional material for the musical. However, as having full makeup as well as the mask would make expression and singing difficult for the lead actor, and thus they halved it, via Maria Bjornson's innovative design. This Phantom, like the original novel, was deformed at birth, and made this mask himself out of what appears to be a fine, shiny porcelain. In the Joel Schumacher film adaption, the mask is made of leather. The Phantom also wears a wig with this mask, as his actual hair is a few white wisps on his balding head. His deformities include deformed lips, mismatched eyes, a missing right eyebrow, an elongated right nostril, a large gash with exposed skull tissue, and bony protrusions on his right cheek. In the Schumacher movie, the deformity is much less grotesque, often said by fans to more resemble a sunburn or rash more than a deformity.
A collection of Phantom masks inspired by the Lloyd Webber musical.
- 1 The Phantom
- 2 Raoul de Chagny
- 3 The Phantom of the Opera (2004)
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The story behind the infamous Phantom mask in ‘The Phantom of the Opera’
When you think of Broadway and a symbol to represent it, it’s hard not to think of the iconic Phantom mask.
So what exactly is the story behind the face piece and prop that has become synonymous with New York’s famed theater district?
NY1’s Roger Clark has more on the iconic mask.
Plus, NY1’s Philip Klint spoke with nearby businesses to find out what it’s like to lose “The Phantom of the Opera” as a neighbor.
/ The Legacy of the Phantom's Mask: A Deep Dive
The Legacy of the Phantom's Mask: A Deep Dive
August 16, 2023.
Unveiling the Phantom of the Opera Mask: A Timeless Classic
From the heart of Paris's opera house to countless stages across the globe, the Phantom of the Opera's tale is one steeped in romance, intrigue, and of course, mystery. And central to that mystery is the iconic Phantom of the Opera mask. But what makes this mask so compelling?
History and Inspiration
The Phantom of the Opera, originally a novel by Gaston Leroux, delves deep into the human psyche's intricate facets. The mask, symbolic of the Phantom's inner turmoil and physical scars, has become a significant piece of theater history. Over the years, its design has evolved, but its essence remains consistent: a shield from the world and an emblem of the haunting love story it represents.
Crafting the Perfect Phantom Mask
Choosing the right Phantom of the Opera mask can transform your costume or theater production. Opt for one that encapsulates the emotion and gravitas of the character. The intricate details, the smooth curves, and the stark white contrast against the Phantom's dark attire makes for a memorable and impactful appearance.
Why the Phantom's Mask is Perfect for Your Next Event
Whether it's a masquerade ball, Halloween party, or theatrical production, the Phantom of the Opera mask offers versatility and elegance. It not only serves as a stunning accessory but also tells a story, making you the center of attention.
In conclusion, the Phantom of the Opera mask is not just a piece of costume; it's a symbol, a story, and an experience. When chosen with care, it can elevate any event or performance.
The Ultimate Guide to Mardi Gras Parties and Masks
January 19, 2024, the heart of mardi gras celebrations.
Mardi Gras is synonymous with vibrant parties and elaborate masks. At LuxuryMask.com, we specialize in bringing you an array of masks that capture the essence of these jubilant celebrations. Our collection is designed to complement the electrifying atmosphere of Mardi Gras parties.
Selecting the Perfect Mask for Your Mardi Gras Party
Choosing the right mask is crucial for your Mardi Gras experience. Whether you're attending a grand ball or a street party, our masks offer both comfort and style. We'll guide you through selecting a mask that not only matches your outfit but also enhances your party experience.
Craftsmanship and Quality: Our Promise
Each mask at LuxuryMask.com is a result of meticulous craftsmanship. From the selection of materials to the final touches, we ensure every mask is a piece of art. Our masks are not only beautiful but durable, perfect for the all-night Mardi Gras festivities.
Mardi Gras Masks: A Blend of Tradition and Fashion
Mardi Gras masks are steeped in history, yet they remain a trendy accessory for modern celebrations. Our blog explores how these masks have evolved and how they continue to be a central part of Mardi Gras parties, blending tradition with contemporary fashion.
Make a Statement at Your Next Mardi Gras Party
Your choice of mask can make a significant impact. Whether you prefer a mask with feathers, beads, or a simple yet elegant design, LuxuryMask.com has a wide variety to make your Mardi Gras party experience unforgettable.
Get Ready for Mardi Gras 2024
With Mardi Gras 2024 around the corner, it's time to start planning your outfit. Our latest blog posts offer tips on choosing the right mask and staying ahead in the Mardi Gras fashion game.
Conclusion: Celebrate Mardi Gras in Style
Mardi Gras parties are all about expression and enjoyment. At LuxuryMask.com, we're here to enhance your celebration with our exclusive range of luxury masks. Dive into the world of Mardi Gras with us, and let your mask be a symbol of your festive spirit.
Unveiling the Charm of Mardi Gras Masks: A Tradition of Elegance and Mystery
January 17, 2024, the essence of mardi gras.
Mardi Gras, a festival of color and celebration, holds a special place in the hearts of many. Central to this vibrant festival is the Mardi Gras mask, a symbol of mystery and festivity. At LuxuryMask.com, we understand the allure of these masks and their significance in Mardi Gras celebrations.
Why Mardi Gras Masks? A Glimpse into History
Originally, these masks were a way for people to escape societal constraints and mingle anonymously. Today, they are a fashion statement, a way to stand out in the sea of festivities. Our collection at LuxuryMask.com blends historical charm with contemporary design, ensuring that each mask is a masterpiece.
Craftsmanship Behind Every Mask
Each Mardi Gras mask at LuxuryMask.com is handcrafted, ensuring attention to detail and quality. From intricate beadwork to feathered opulence, our masks speak volumes of craftsmanship. They are not just accessories; they are a bridge to the festival's spirited soul.
Styles That Speak Volumes
Whether you prefer understated elegance or bold statements, our range has it all. We cater to diverse tastes, ensuring there's a perfect mask for everyone. Our masks are designed to complement various Mardi Gras outfits, adding a touch of luxury to your ensemble.
Making a Fashion Statement with Mardi Gras Masks
Mardi Gras is an opportunity to express oneself uniquely. Our masks, with their exquisite designs, help you do just that. They are not just for the festival; they are a fashion statement, a keepsake that holds memories and stories.
Choose Your Perfect Mask
Navigating through our extensive collection at LuxuryMask.com, you'll find masks that resonate with your style and spirit. From traditional Venetian to modern abstract designs, our masks are a celebration of the festival's diverse nature.
Conclusion: Celebrate with Style
As Mardi Gras approaches, immerse yourself in the tradition with a mask from LuxuryMask.com. Our collection is a tribute to the festival's vibrant spirit, designed to elevate your celebration.
Masquerade Masks for Men: An Elevated Look for Any Event
September 4, 2023.
The essence of an event goes beyond its sheer magnificence; it's also in the intricate details and elements of mystery. And what better way to incorporate these elements than with a masquerade mask ? For men, a mask can instantly elevate an outfit, making it more than just a costume, but a statement.
Why Masquerade Masks are the Perfect Accessory
In the vast realm of event accessories, a masquerade mask for men shines brightly for a myriad of reasons:
- Sophisticated Charm : These masks evoke feelings of luxurious balls and romantic eras gone by.
- Versatility : From formal events to fun-filled parties, these masks fit right in.
- Distinctiveness : Stand out from the crowd with a unique touch that only a masquerade mask can provide.
Luxury Mask's Signature Collection
As we prepare for the upcoming event season, we at LuxuryMask.com are thrilled to present our exclusive range of men's masquerade masks. Each piece is a masterful creation, designed with precision and detail, ensuring you leave an impression wherever you grace your presence.
Dive into the mystique and sophistication with Luxury Mask . Our masquerade masks for men are more than just accessories; they're a statement, an emotion. Explore our collection and find the mask that resonates with your style and spirit.
Elevate every event. Embrace the allure. Choose Luxury Mask.
Affordable Elegance: Discovering the Charm of Lace Masquerade Masks This Halloween
August 26, 2023.
As Halloween approaches, it's that time of the year when choosing the perfect costume becomes the talk of the town. While many opt for intricate outfits, there's one accessory that stands out for its timeless elegance and mystery: the lace masquerade mask. A symbol of luxury and sophistication, lace masquerade masks are the perfect blend of tradition and modern style.
Why Lace Masquerade Masks?
Masquerade balls have a rich history, but in recent times, lace masquerade masks have become the embodiment of allure and enchantment. They're not just masks; they're a statement. With their intricate patterns and delicate craftsmanship, these masks accentuate the eyes, making them the focal point of one's ensemble.
Choosing the Perfect Lace Mask for Halloween:
Fitting & Comfort: A mask should fit snugly, ensuring you're comfortable throughout the event. Our masks are designed to be both stylish and comfortable.
Style & Design: From minimalist designs to more ornate patterns, choose a style that complements your Halloween attire.
Color Palette: While black is a classic choice, consider exploring other hues that match or contrast with your outfit.
The Versatility of the Lace Masquerade Mask:
Beyond Halloween, these masks are a favorite at weddings, parties, and other themed events. They bring in a touch of luxury, making the wearer stand out in the crowd.
This Halloween, elevate your look with a lace masquerade mask from Luxurymask. Experience the blend of tradition, luxury, and modern design that our masks offer, ensuring you're the star of any event.
Discovering the Elegance: Men's Masquerade Masks for This Halloween and More
August 22, 2023.
As Halloween looms around the corner, it’s the perfect time to embrace the captivating world of masquerade. More than just a trend, men's masquerade masks are returning as the accessory of choice. Let's explore why.
A Modern Take on Timeless Tradition
Over the years, masquerade balls have always evoked a sense of intrigue. Now, with the revival of men's masquerade masks, you can:
- Express Yourself : Each mask boasts a unique design that speaks to individual tastes.
- Feel the History : While embracing modern aesthetics, our masks also nod to traditions of yesteryears.
- Show Your Class : Paired with a tux or suit, a mask elevates your entire ensemble.
Why This Halloween is All About the Mask
Halloween offers a canvas for creativity. Thus, it's no surprise that masquerade masks for men are making waves. With one, you can:
- Switch Styles : So, whether it's a spook-fest or an elegant ball, you're always ready.
- Stride with Confidence : A mask, especially one that reflects your style, can boost your poise.
- Be the Mystery Man : After all, who doesn't enjoy a little enigma at a party?
What Makes Luxury Mask Stand Out
At Luxury Mask, we believe in a blend of style and substance. As a result, our collection promises:
- Diverse Materials : Whether you love leather or are enchanted by feathers, we have something for you.
- Unrivaled Designs : From minimalist to intricate patterns, there's a mask waiting for you.
- Unbeatable Comfort : Because, at the end of the day, we know you value comfort as much as style.
So, this Halloween, don't just wear a costume. Wear a statement. With Luxury Mask's exclusive range of men's masquerade masks, ensure that your night remains unforgettable.
Ready to turn heads? Dive into our collection at Luxurymask.com today.
Masquerade Masks for Women: Elevate Your Halloween Experience
August 21, 2023.
When it comes to making a statement at any event, nothing captivates quite like a masquerade mask for women. With Halloween around the corner, these masks are not just accessories; they are a symbol of mystery, elegance, and allure.
Why Masquerade Masks Are a Must-Have This Halloween
Halloween is all about taking on a new identity, and what better way to do that than with a mask that speaks of elegance and enigma? Masquerade masks offer:
- Uniqueness : Stand out in a sea of common costumes.
- Elegance : Elevate your costume to a level of sophistication.
- Comfort : Lightweight and designed to fit comfortably for extended periods.
The History of Masquerade Masks
Masquerade balls date back to the 15th century in Venice. These events were exclusive, high-society gatherings where guests would don masks to protect their identities while engaging in decadence. Today, this tradition continues, offering a touch of historical class to contemporary events like Halloween.
Choosing the Perfect Masquerade Mask for Women
Here at Luxury Mask, we understand the importance of finding the perfect mask. When choosing, consider:
- Material : For maximum comfort, opt for masks made of lightweight materials.
- Design : From ornate details to sleek, minimalist designs, pick what resonates with your style.
- Fit : Ensure the mask fits securely, allowing you to enjoy the festivities unhindered.
This Halloween, transport yourself into a world of elegance, mystery, and allure with a masquerade mask for women. Whether attending a ball, a party, or simply wanting to stand out, Luxury Mask ensures you do so with grace.
Experience the magic of masked celebrations and make this Halloween unforgettable. Shop now at Luxurymask.com.
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The Phantom of the Opera
Gaston leroux, everything you need for every book you read..
The mask that the “Phantom,” Erik , wears over his face symbolizes his vulnerability and the injustice he suffers from, as he is forced to hide his face because it causes too much horror in other people. Although the mask gives Erik some control over his life, as it allows him to decide when to reveal his real face, it also signals that he has no control over one crucial factor: other people’s reactions. The removal of masks occurs at crucial moments in the narrative; on one such occasion, overwhelmed by the beauty of the Phantom’s singing, Christine spontaneously decides to disobey Erik’s orders and remove his mask, which causes Erik fear, pain, and anger. This moment marks a turning point in the narrative, as Christine will remain scarred by the horrifying face she has seen. On another occasion, during the masked ball, Christine finally shows Raoul her anguish when she removes her mask. In both cases, removing one’s mask reveals one’s vulnerability. Therefore, the success of this operation depends on other characters’ good will—in Erik’s case, Christine’s ability to show him compassion and admiration despite his ugliness, and, in Christine’s case, Raoul’s willingness to trust her and take her feelings seriously despite his intense jealousy.
Masks Quotes in The Phantom of the Opera
“He is extraordinarily thin and his black coat hangs loosely off his skeletal frame. His eyes are so deep-set that you cannot make out his pupils: all you can see are two big black holes, as in a skull. His skin is stretched over his bone structure like a drumhead, and is not white but an ugly yellow. His nose is almost non-existent when seen sideways; and this absence is a horrible thing to behold. As for his hair, it consists of no more than three or four long dark strands on his forehead and behind his ears.”
“As I would not let go of the cloak, the shadow turned round and beneath the hood I saw a terrifying skull, whose staring eyes burned with the fire of Hell. I thought I was face to face with Satan himself. It was like a vision from beyond the grave.”
Christine simply took off her mask and said: “It is a tragedy, Raoul!”
He now saw her face and could not suppress a cry of surprise and shock. Gone was her fresh, glowing complexion. No longer a reflection of her tranquil disposition and untroubled conscience, her face—so charming and gentle in former days—was deadly pale. How anguished she looked now! Her features were cruelly furrowed by sorrow and her beautiful, limpid eyes—Little Lotte’s eyes—had become wells of deep, dark, unfathomable mystery and were bordered with terribly doleful shadows.
Hideousness, soaring on the wings of Love, had dared to face Beauty.
“You are afraid of him, but do you love me? If Erik were handsome, would you love me, Christine?”
“Why do you raise questions that I have pushed to the back of my mind as if they were sinful?”
She rose too and wrapped her beautiful, trembling arms round the young man.
“Oh, my betrothed, if I did not love you, I would not offer you my lips! Kiss them, for the first and last time.”
Masks Symbol Timeline in The Phantom of the Opera
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- Licensing Phantom
Through the Years
- Original Cast
- Facts & Figures
In the Phantom makeup chair…
29 Apr 2009
The Phantom mask is arguably the most iconic musical theatre image of all time, instantly recognisable as the symbol of The Phantom of the Opera all over the world. Conversely, what is hidden behind the mask has traditionally been a closely guarded secret, and images showing the extent and detail of the Phantom‘s disfigurement have very rarely been seen.
Why is this? Tanya Noor, make up artist at Her Majesty’s Theatre in London believes this was largely due to the direction of Maria Bjornson, the original Production Designer who was justifiably protective of the copyright. Ron Wild, who was called in to redesign the make up for the opening of Phantom: The Las Vegas Spectacular in 2006 adds, “The mask is only removed for a relatively short time so it really has to have some impact.” It is the anticipation of the unknown which heightens this pivotal moment.
Ron knows all about impact. When the Las Vegas creative team were designing a completely new production for the state of the art, purpose-built venue, it was the perfect opportunity to revisit the Phantom make up, which had remained largely unchanged for the 20 years since the show opened. With his experience in the film industry, Ron was the perfect candidate to explore how prosthetics and paint could be used for maximum effect in a much larger auditorium.
Although the finished effect does vary considerably between the old and new, the transformation process is very similar, as can be seen when sitting in on this process for the London and Las Vegas productions.
In both shows, the cornerstone underpinning the entire look is the skull, or bald, cap. Formerly made in house, the skin tight head covering is now purchased commercially. Tanya remembers the task of creating a minimum of eight caps each week in a small room at the top of Her Majesty’s. Improvements in the quality of the commercial caps available have now made it possible to purchase these but fitting, trimming and gluing the cap to the head still takes considerable time and effort.
In Vegas, with the heat from a hairdryer moulding the cap even closer to the skull, Ron explains: “Everything is based on the skull cap so if it fails the whole make up fails.” In Las Vegas on a “two show” day the shows are virtually back to back, leaving no time to remove and reapply makeup in the break. As Anthony Crivello, the Phantom in Las Vegas, says – “I have to have this thing on for 5 hours.”
Although in London the longer break between the afternoon and evening performances allows for the makeup to be taken off and redone, the show itself is longer, so it is just as well the prosthetics which are then applied to the face and cap are soft and malleable. Each of these pieces is made from a foam latex which is very light and allows for movement, obviously vital when the wearer also needs to able to sing!
Both Ramin Karimloo (Phantom, London) and Anthony Crivello agree that the prosthetics which cover a substantial part of the mouth and nose are not a hindrance to their performance. Anthony says, “you get used to it within a couple of days at the most. Once you have it on it’s like wearing a glove.” Ramin agrees. “It was never an issue, I feel I was born to wear this it feels so right,” he laughs.
The prosthetics themselves are where the differences are most noticeable.
Ron was given virtually free reign to redesign the make up, drawing from his 25 years experience in film. “What was really good was that they would let me do what I wanted, although after 20 years of using the same make up it was kind of hard for them to digest what I wanted to do”. Ron was aware that the audience expectations from a show which promised “spectacular” effects such as the chandelier and the pyrotechnics, in a much larger theatre called for the effects to be “elevated”. The lighting rigs for the show are by necessity much further away from the stage so the new make up is much more strongly textured and highly painted compared to the traditional make up. “Now you really get the pay off!”
By contrast, in the more intimate confines of Her Majesty’s Theatre, Tanya’s approach has varied little since the first ever show, “I was lucky enough to work with Maria (Bjornson) for all those years she was here. She had an incredible eye for detail and was very precise, but she would occasionally ask us for advice – do you think this looks better, or how would you adapt this to suit a certain face?” The shape of each Phantom’s face dictates how the prosthetics will look. This becomes very evident as Tanya lays Ramin’s prosthetics next to those of the understudies, each clearly labelled. “If I have any ideas I will ask to try something out for a rehearsal, then will watch from the auditorium and see how it looks under the lights”.
Her Majesty’s Theatre London
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A GUIDE TO COSTUME INSPIRATION: PHANTOM OF THE OPERA MASKS
Possibly one of the most iconic masquerade masks of all time, the Phantom of the Opera half-face white mask cannot be mistaken. The original story told in the novel by Gaston Leroux is a timeless classic that’s been recreated throughout the decades with various film and TV adaptations putting their own spin on the character of the Phantom. As such an instantly recognisable character, the Phantom makes for good inspiration for a stellar-themed party outfit or Halloween costume.
THE PHANTOM OF THE OPERA – 1925
As the original film adaptation of the novel, the 1925 lon Chaney version is a black and white, silent horror film that became famous for Chaney’s self-devised makeup. The shocking makeup was enough to make viewers scream and faint, with ladies advised to take smelling salts when they went to see the film. This version is often regarded as one of the most faithful to the original novel, despite the fact that the climactic death of the Phantom in this adaptation differs dramatically from his heartbreaking passing in the novel.
The striking makeup that helped make this film iconic is revealed from behind the mask in an intensely shocking scene. The mask itself is a stark contrast to the makeup with smooth contours and regular features. Slightly unnerving is the extension to the bottom of the mask that covers the mouth and allows only for the chin to be visible. This style of mask featured heavily in the earlier adaptations of the Phantom of the Opera and increased the feeling of unease and fear in the viewers as the emotions and subtle visual cues shown in facial expressions are hidden. Copy this look by wearing a full-face or Bauta mask, tucked into a hat/cap to cover your hair and keep your mask in place.
For similar masks to Chaney’s, take a look at our Volto Bone mask, Traditional Bauta mask or the music-inspired Joker Melody Mask.
PHANTOM OF THE OPERA – 1943
Although it didn’t receive the most enthusiastic response upon its release, this Claude Rains remake brought a lot of ‘firsts’ to Phantom of the Opera, bringing the classic story into colour and adding a romantic twist to the historical horror plot line. The tragic one-sided romance that featured so heavily throughout the film was the precise reason for its lukewarm reception from its 1940s audience, however as the romantic adaptations of the novel have gained popularity, this remake has become a classic in the eyes of many.
Known for his persuasive acting, Claude Rains plays the Phantom who has, through a period of misfortune, turned from a talented musician to a scarred and infatuated Phantom. The mask worn to cover his scars is the complete opposite of the one worn in the previous adaptation; the sleek light blue mask with sharp lines and edges to emulate the contours of a human face, a stark contrast to the more realistic mask worn by Ion Chaney in the previous 1925 version.
The 1943 Phantom would be a great source of inspiration for anyone looking to attend a themed masquerade ball without the traditionally flamboyant fancy dress. Let the mask speak for itself by matching it with a black suit and cloak and slicking your hair back away from your forehead.
Consider our Smoking One, Colombina Grezzo or Joker Vivaldi masks if you’re looking to recreate Claude Rains’ version of the Phantom.
THE PHANTOM OF THE OPERA – 1962
The 1960s saw a return to the Horror genre for this Phantom of the Opera remake by the British Hammer Films company. Adopting a similar plotline to the 1940s adaptation, the reception for this film was slightly better, although the ending was not to the liking of many as the Phantom again becomes a tragic hero, sacrificing himself for Christine.
Horror films demand a certain level of sinister intrigue and terror, and the mask worn by the Phantom in this film certainly does not disappoint. If you are looking for Halloween costume inspiration then this should certainly be the high on your list of considerations. The Nitric Acid that scarred the Phantom left his face and hands damaged in such a grotesque way that he wears a full-face mask that leaves only one eye visible. The complete covering of the mouth and one eye adds to the terrifying inhuman aura of the Phantom and would create a truly stellar themed outfit for any event. Recreate this look with a black suit, grey bow tie and a matching ashen grey mask.
Consider our Volto Joker or Silver Bauta masks if you’re looking to replicate this unsettling costume for your Halloween outfit.
THE PHANTOM OF THE OPERA – 1983
This lesser-known TV film adaptation differs greatly from the original plotline in the novel, choosing rather to take inspiration from the previous adaptation and approach the character of the slightly mad Phantom from a different perspective. This vengeful main character returns to the opera to avenge his late wife, wearing a full-face mask after he was accidentally burned beyond recognition with acid. Like the majority of the previous versions of the story, this film keeps to a dark and suspenseful atmosphere with the Phantom wearing two different masks and only revealing his disfigured face at the end of the film.
The masks worn in this film bare the closest resemblance to a human face since the first adaptation over 50 years before. This added human aspect of these masks makes the Phantom more terrifying; create a similarly unnerving outfit perfect for a Halloween costume
One of the most mysterious Phantoms to date, Maximilian Schell fully covered his head with a hood and full-face mask, only revealing his hands briefly to play the organ. This would be great inspiration for anyone looking for an easy, yet less common themed costume for a masquerade ball, party or Halloween event.
Similar masks to the one worn in this film are our Volto Joker mask and Volto Joker Melody mask.
THE PHANTOM OF THE OPERA – 1986
As the large-scale stage musical debut of The Phantom of the Opera, Andrew Lloyd Webber was the composer behind this award winning production that includes songs well known to many. As a stage production, this retelling of the original story was dramatised to better capture the attention of the audience. Moving away from the previous trend for Horror adaptations, this tragic, romanticised retelling of the story of the Phantom continues to be a huge success and is the longest running show in Broadway history, having been seen by over 130 million people since the debut stage in 1986.
The mask worn by this Phantom may be more familiar to the general public as the iconic phantom mask, so if you’re looking for inspiration for an easily recognisable character, this may well be the option for you! Pair a classic white half-face mask with a dinner suit or tux and bow tie. Simple and easy, this suave fancy dress costume for men requires minimum effort and can be quickly upgraded with added makeup to add a creepy edge for a Halloween themed party.
Browse our range of iconic Phantom of the Opera masks here.
THE PHANTOM OF THE OPERA – 1989
Not for the fainthearted, this remake strays from the trend of the time to romanticise the character of the Phantom, opting rather to stick to the more traditionally popular Horror genre. With a grotesquely disfigured face, this Phantom wears a skull-inspired mask or the face of his victims when out of his lair.
This dark and unsettling retelling makes for great inspiration for a Halloween outfit, and with the choice between the skull mask or facial makeup it’s ideal for any party-goer. Like most of the other Phantoms, this character spends most of his screen time in a black outfit, copy this by wearing a black cloak with a black suit, shirt and tie. Add a little extra to distinguish the specific Phantom you’re recreating by adding a broad-brimmed hat and long, layered black coat, like the ‘present day’ Phantom.
View our range of skeleton and skull masks here for further inspiration.
THE PHANTOM OF THE OPERA – 1990
A traditionally romantic take on the Phantoms character, Charles Dance embodied the perfect gentleman who was willing to go to extreme lengths to protect his love from the harsh world. This adaptation of the story was very well received, winning two Emmy Awards and nominated for a Golden Globe Award in 1991.
This elegant portrayal of the Phantom wears clothing fit for his heritage, regularly seen in formal suits with Victorian dress shirts and a gold waistcoat to compliment his golden hair colour and accentuate the white mask. Easily replicate this look with a tailcoat paired with a waistcoat in a colour to complement your own colouring and hair.
The mask worn by Charles Dance in this TV miniseries maintains the romantic approach of the whole production, emphasising his masculine features and revealing just enough of his face to show expression without showing too much of his disfigured skin. Adopt a similar approach when choosing your own mask for a themed event and select one that emphasises your favourite facial feature while still maintaining a mysterious air.
Consider our Joker Melody, Larga Gold or Giglio masks when recreating Charles Dance’s romantic portrayal of the Phantom.
THE PHANTOM OF THE OPERA – 1998
Taking a darker turn once more, this Italian version differs from the novel in many ways, the most notable of which is the Phantom himself is not disfigured and never wears a mask. Hardly a family film, this adaptation is rated 18 for violence, gore and sexuality and received mediocre reviews from critics. This Phantom – like most of previous portrayals of the iconic character – takes a slightly strange approach to life and his pursuit of love, however it is all understandable considering Julian Sands’ character was reared by rats in the basement of the opera house!
Another unique aspect of this version is the absence of the Phantom’s iconic mask. The only mask in this film features in the poster/promotional artwork – this mask is the now extremely familiar white half-face mask. Recreate this unique interpretation of the Phantom with a long dirty-blonde wig and dark clothing. Wear the white half-face mask to help others recognize your costume, or carry it as an accessory, along with a fake rat for a real Halloween outfit. Our Fantasma dell Opera mask is almost identical to the one in the poster.
THE PHANTOM OF THE OPERA – 2004
Gerard Butler starred in this modern-day adaptation closely based on the immensely popular Andrew Lloyd Webber stage production. Keeping the plotline closer to the original novels than previous adaptations, this film focuses on the Phantoms ernest feelings towards Christine and his wish for her to succeed as a soprano in the Opera. Much like the stage production, this film adaptation proved extremely popular across the globe, with particular success in Japan, South Korea and Great Britain.
The iconic white half-face mask was worn by Gerard Butler throughout this film, with the exception of the black colombina mask and detailed skull mask from the ball scenes. Recreate Butler’s traditional style as your outfit for a costume party or themed Halloween event. Slicked back hair, a mask and a long dark coat are the key to successfully copying this Phantom’s outfits.
Copy the iconic style of the Phantom’s white half-face mask with a mask from our Phantom of the Opera range . If you’re looking to recreate Butler’s black ball scene outfit with a Colombina Grezzo , Larga Fiore, Colombina Cuoio or Quadra masks.
THE RED DEATH COSTUME
This may not be an interpretation of the Phantom’s character in yet another adaptation of the novel, but this distinctive red outfit deserves a mention for its key role in many of the plot lines. Worn by the Phantom as his costume for the masquerade, the Red Death is loosely based on Edgar Allan Poe’s short story “The Masque of the Red Death”. When describing this head turning outfit, Gaston Leroux was extremely detailed, specifying that the cloak be embroidered with: “Touch me not! I am Red Death stalking abroad!”
Be inspired by this outfit and don an elaborate Cavalier costume, a large heavily plumed hat and a skeleton mask. This is the perfect look to recreate for an extravagant event or if you’d like to pull out all of the stops. Pair a skull mask from our range with your Cavalier costume for full effect.
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The Phandom of the Opera
As “The Phantom of the Opera” ends its record-breaking Broadway run on Sunday, its most devoted followers, who call themselves Phans, are mourning.
Alice Dyches, a 22-year-old “Phantom” fan, has gotten specific with her tattoos: Inked on her wrist are the first three notes of “Think of Me,” a beloved song in the show. Credit... Lucia Buricelli for The New York Times
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By Michael Paulson
Michael Paulson, who covers theater, has only seen “Phantom” four times, a number that came to feel paltry as he reported on real Phans.
- April 14, 2023
“The Phantom of the Opera,” the longest running show in Broadway history, will give its final performance on Sunday , bringing its glittering chandelier crashing down on the stage of the Majestic Theater for the 13,981st and final time.
Its success was powered by all kinds of engines, perhaps none more striking than the group of die-hard patrons who call themselves Phans. They come from all over the world, drawn by its soaring Andrew Lloyd Webber score and Gothic love story, and have devoted themselves to the show, seeing it as often as possible, of course, but also collecting memorabilia, dressing up as characters, and conversing about it online.
Frank Radice, a Long Island call center operator, proposed to his wife at a “Phantom” installation inside a Madame Tussauds Wax Museum, and Tracy O’Neill of Connecticut used the show’s “All I Ask of You” as her wedding song. Elizabeth Dellario, a New York City tech worker, named her cats Christine and Erik after characters in the show. Erin Castro, a Los Angeles office assistant, makes Lego figurines of the cast. Katie Yelinek, a Pennsylvania librarian who has seen it 69 times, said, “I can honestly say I’ve shaped my adult life around going to see Phantom.”
So many Phans. Meet six:
Plenty of Phans have “Phantom” tattoos, but Alice Dyches has gotten specific with hers. Inked on her wrist are the first three notes of “Think of Me,” a beloved song in the show, and her midriff shows an address for the Majestic Theater: “245 W 44th.”
Growing up in South Carolina, she fell in love with the music by watching the film; when she was six, she saw it for the first time on Broadway, on a trip with her grandparents.
“The Phantom was Hugh Panaro, and he terrified me, and I kept wanting to go back,” she said.
Now Dyches, 22, is a singer-songwriter, living in New York and working at a cat sanctuary on the Lower East Side. Throughout the pandemic, she worried about whether “Phantom” would survive, but once it reopened, she felt reassured.
“I’m real sad — I thought I had more time to see it,” she said. “I’ve not lived a life without ‘Phantom’ being on Broadway, and there’s always been the notion that if I’m having a really crap day, I can go.”
And, with that address inscribed on her abdomen, she is wryly watching what happens next.
“I hope something good goes into the Majestic,” she said, “because otherwise I’m going to be screwed.”
Wallace Phillips didn’t even know what “The Phantom of the Opera” was when he dressed as the Phantom one Halloween. He was 10 years old, growing up in Silver Spring, Md.; he just thought the costume was cool.
His mother gave him a cast recording and then, in 2010, brought him and his sister to see the show on Broadway.
“It was eye-opening, and awe-inspiring,” he said. “I was enthralled.”
Phillips is now 27, living in New York City, where he moved to study animation at the School of Visual Arts. He’s making his way as a freelance filmmaker, while working as an usher at “Hamilton.”
How much does he love “Phantom”? At last count, he had seen it 140 times.
Phillips expresses his Phandom through his artistry — he hopes one day to make an animated film of the musical, and meanwhile, he does concept art and drawings, some of which he signs and gives to cast members.
“Despite all the times I’ve seen it, I’m always surprised, every time I’m there,” he said. “That overture! That chandelier rising! The theater transforming! It keeps me awed every time.”
In elementary school in Kaysville, Utah, Christine Smith had to write a paper about where her name came from. When she asked her mom, she learned that she had been named for Christine Daaé, the young soprano at the heart of “The Phantom of the Opera.”
“I wrote that I was named after some dumb opera singer,” Smith recalled.
Her father, who worked graveyard shifts stocking shelves in grocery stores, listened to “Phantom” to pass the time. She didn’t understand the appeal until she saw the movie.
“I know it sounds silly, but I just could tell, that was going to be my life,” she said. “I really learned to love my name.”
She picked up a cast album at Walmart, started performing in school shows, and dreamed of playing Christine. Her family couldn’t afford to travel to New York, but they made it to a production in Las Vegas, which she eventually saw six times.
Smith, 31, who now lives in Bountiful, Utah, finally got to see it on Broadway — twice — after the show’s closing was announced. In October, she and her husband arranged a flight layover in New York so they could see “Phantom,” and then, in January, she won a contest to see its 35th anniversary performance.
“It made my ‘Phantom’ heart so happy,” she said.
Alessandro Bertolotti, who lives in Codogno, a small town south of Milan, has seen “Phantom” roughly 100 times: not just on Broadway and in London’s West End, but also in Austria, Canada, the Czech Republic, Denmark, Finland, Germany, Greece, Hungary, Norway, Poland, Spain and Sweden.
“The most memorable evenings are those where you feel an energy in the public — something created by a fusion between the audience and the cast,” he said. “And then there are shows, like the one in Sweden, where I really enjoyed seeing a completely new staging of ‘Phantom.’”
Musical theater did not initially interest Bertolotti, 67. Opera was his thing — both as a fan and a director. But two decades ago, while in the United States to work on a production of “Otello,” Bertolotti saw “Phantom” on the recommendation of a colleague.
“It was a revelation,” he said. “I was fascinated by the music, by the sets, and this vortex of costumes and fast scene changes.”
He is planning this summer to see a version in Trieste — the first in his native Italy — that will star the Iranian-Canadian “Phantom” veteran Ramin Karimloo.
“Among all the musicals I’ve seen, ‘Phantom’ will always be the most fascinating and the most engaging,” he said. “It’s part of me now.”
Phandom FROM AFAR
Yixuan Wu was just 11 when she stumbled across a “Phantom” DVD in a video store. She was about as far from Broadway as can be — in her hometown, Changsha, China — but the packaging caught her eye, so she rented it.
She watched it over and over, and nurtured her Phandom online, streaming bootleg recordings from around the world.
“I just feel like this story was calling to me,” she said.
Flash forward to 2021. Wu had finished art school in China, and moved to New York to study at the Fashion Institute of Technology. She bought a ticket at the TKTS booth in Times Square, and finally saw “Phantom” from the right rear orchestra.
“I was amazed and surprised by all the colors onstage,” she said. “You have to see it with your own eyes.”
Wu, 25, has now seen the show 61 times, sometimes with a $29 standing room ticket, sometimes by winning a lottery, and once in a while by springing for a full-price seat. She collects merch (including teddy bears from the Japanese production), writes fan fiction and makes fan art (illustrations of cast members, many of which she gives to them).
“Every time I go into the Majestic,” she said, “I feel like I’m home.”
The first time Patrick Compton dressed as the Phantom was at a church event. His congregation in his hometown, Frankfort, Ky., was raising money with an evening of scenes from Broadway shows, and he decided to sing something from the musical.
Compton, a duty officer at Kentucky’s Division of Emergency Management, had loved “Phantom” since his parents took him to see it in Louisville, and this was his moment.
In the years since, Compton, 47, has taken voice lessons, recorded his own versions of “Phantom” songs, taken a weeklong workshop with “Phantom” alums and auditioned for a number of shows. He has seen “Phantom” 20 times in New York, and five times on tour.
He had never heard the word “cosplay” when he started showing up to the show wearing a mask, cape, vest and fedora — he just thought it was fun. Now he’s done it several times.
“To this day I have yet to figure out how a show like that can just emotionally affect you — from the very first note of the overture, you get goose bumps, and your hair stands on end,” he said. “You can’t help it. It’s addictive.”
Elisabetta Povoledo contributed reporting from Italy.
Michael Paulson is the theater reporter. He previously covered religion, and was part of the Boston Globe team whose coverage of clergy sexual abuse in the Catholic Church won the Pulitzer Prize for Public Service. More about Michael Paulson
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The Phantom of the Opera
A young soprano becomes the obsession of a disfigured and murderous musical genius who lives beneath the Paris Opéra House. A young soprano becomes the obsession of a disfigured and murderous musical genius who lives beneath the Paris Opéra House. A young soprano becomes the obsession of a disfigured and murderous musical genius who lives beneath the Paris Opéra House.
- Joel Schumacher
- Gaston Leroux
- Andrew Lloyd Webber
- Gerard Butler
- Emmy Rossum
- Patrick Wilson
- 2.1K User reviews
- 110 Critic reviews
- 40 Metascore
- 7 wins & 42 nominations total
- The Phantom
- Madame Giry
- (as Kevin R. McNally)
- Carlotta's Maid
- Carlotta's Wigmaker
- Carlotta's Seamstress
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- Production, box office & more at IMDbPro
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- Trivia In April 2004, an audience of the stage version of "The Phantom of the Opera" in London was asked to stay behind at the end and record the sound effects for the chandelier crash in the movie.
- Goofs When Raoul is on his way down the stairs to the Phantom's lair, he falls through a hole, down into a pit of water. Iron bars then lower from above, but since Raoul fell straight down into the water, it would be impossible for the bars to be there.
[as he leads Christine down the tunnels of the opera]
The Phantom : [sings] Sing once again with me our strange duet. / My power over you grows stronger yet. / And though you turn from me to glance behind, / The Phantom of the Opera is there, inside your mind.
- Connections Featured in HBO First Look: The Phantom of the Opera (2004)
- Soundtracks Auction at the Opera Populaire, 1919 (Prologue) Written by Andrew Lloyd Webber , Charles Hart , and Richard Stilgoe Performed by Patrick Wilson Produced by Andrew Lloyd Webber , Nigel Wright , Joel Schumacher , Simon Lee , and Guy de Villiers
User reviews 2.1K
- Dec 12, 2004
- What is 'Phantom of the Opera' about?
- Is this an opera?
- What does "Hand at the level of your eyes" mean?
- January 21, 2005 (United States)
- United Kingdom
- United States
- Central Partnership (Russia)
- Andrew Lloyd Webber's The Phantom of the Opera
- London, England, UK
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- $70,000,000 (estimated)
- Dec 26, 2004
- Runtime 2 hours 23 minutes
- Black and White
- Dolby Digital
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Chaney Entertainment - Phantom of the Opera
Trick or Treat Studios is proud to present the officially licensed Chaney Entertainment - Phantom of the Opera Mask! Based on the likeliness of The Man of a Thousand Faces in his most famous role, Universal Studios' Phantom of the Opera, this mask is an exact replica of the Phantom. Sculpted based on numerous screen shots from The Phantom of the Opera and a collection of our favorite Phantom masks from the great Don Post Studios of the 60's and 70's, this is the ultimate Phantom of the Opera Halloween Mask. Order your Phantom of the Opera Halloween Mask today, get yourself a cape, and get ready to terrorize the your local opera house!
Lon Chaney‚ likeness as Erik - The Phantom of the Opera TM & © Chaney Entertainment, Inc. All rights reserved.
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Every phantom of the opera adaptation ranked worst to best.
The story of the Phantom of the Opera has been seen in movies, television, and even on the stage, but some are ranked higher than others.
- The Phantom of the Opera has been adapted into various TV and film versions, but not all have been successful.
- Some adaptations deviate from the original book and focus more on the Phantom as a slasher villain.
- The 1989 horror version with Robert Englund is confusing and does not follow the book closely, resulting in a critical and financial failure.
The Phantom of the Opera has been adapted for television and movies for almost a century, and some productions have been far better than others. This includes several horror versions and ones based on the Andrew Lloyd Webber musical that premiered in the 1980s. There have also been many famous faces behind the masked men, including Ramin Karimloo and even the late Julian Sands.
The Phantom of the Opera started as a book published by Gaston Leroux in 1909. The story follows a disfigured musical genius named Erik Destler, or the Phantom, who lives in the Paris Opera House and is obsessed with a beautiful singer named Christine Daaé. Over the years, there have been many variations of the classic book, with some versions trying to stay as close to the book as possible while others follow the musical.
12 The Phantom of the Opera (1989)
Starring robert englund (erik/the phantom/mr. foster), jill schoelen (christine), meg (molly shannon), alex hyde-white (richard dutton), bill nighy (martin barton), terence harvey (inspector hawkins), stephanie lawrence (la carlotta).
The 1989 horror version with Robert Englund deviated from the book by having the story set in the modern day and later transitioning over to the 1880s. Similar to the classic tale, it follows Christine Day as she goes for an audition at a New York opera. She later gets hit on the head with a sandbag during the audition and goes back in time to the 1880s, where she is a rising opera star being taught by a disfigured musical genius who is falling in love with her.
While the music in the film is very well done, it is too focused on making Phantom Robert Englund into a slasher villain rather than a tragic anti-hero and does not follow the book. The movie's use of transitioning from the present to the past also makes it more confusing for those who have not read the book. It is one of the few Phantom of the Opera films on this list with an R rating and was a critical and financial failure, with a 33% rating on Rotten Tomatoes.
11 The Phantom of the Opera (1998 Film)
Starring julian sands (the phantom), asia argento (christine daaé), andrea di stefano (raoul, baron de chagny).
Having the Phantom be a slasher villain was a popular choice back in the '70s, '80s, and '90s, with this version being no exception. The 1998 film version of The Phantom of the Opera was a complete flop, garnering a 10% rating on Rotten Tomatoes, and is the second movie on this list with an R rating. With the late Julian Sands starring as the tragic Phantom and Asia Argento starring as Christine, this movie lets the actors down. Having the Phantom raised by rats makes the movie completely unrealistic to the original Leroux tale and is one of the worst movies that Argento has been in.
10 Love Never Dies (2012)
Ben lewis (the phantom), anna o'byrne (christine daaé), maría mercedes (madame giry), simon gleeson (raoul), sharon millerchip (meg giry), jack lyall (gustave).
Love Never Dies is the sequel to Andrew Lloyd Webber's version of The Phantom of the Opera and is also loosely based on the book The Phantom Takes Manhattan . It takes place 10 years after the musical, with Christine coming to America to perform at Phantasma, a new sideshow in Coney Island run by the Phantom. The only good thing about this version is Ben Lewis and Anna O'Bryne's singing. Despite having a good reputation as a composer, this is one Lloyd Webber show that completely misses the mark.
The stage version of this sequel makes the already-sad tale even sadder with Christine being the only fatality at the end of the story and adding in a lot of out-of-character elements for everyone else, especially Meg and Raoul. The story takes away everything from the original Lloyd Webber musical and gives the characters little purpose. Critics who saw the show in London and Australia also agreed that the show served little purpose and did not add anything to the original story.
9 The Phantom of the Opera (1983)
Starring maximilian schell (the phantom), jane seymour (maria gianelli/elena korvin), michael york (michael hartnell), jeremy kemp (baron hunyadi), diana quick (madame brigida bianchi).
The 1983 story stars Maximilian Schell as the Phantom and gives him more of a tragic backstory. This version of the Phantom sees him as a promising orchestra conductor who is married to a singer who later commits suicide. While it is a well-done movie for its time, it was not well-received by audiences or by the critics. Schell's portrayal of the Phantom is the only saving grace for this movie, but the entire movie feels like the filmmakers attempted to have it be the next big thing and failed.
8 Phantom of the Paradise (1974)
Starring paul williams (swan/the phantom's singing voice), william finley (the phantom), george memmoli (arnold philbin), jessica harper (phoenix).
Phantom of the Paradise is a bit unusual in that it does not take place in the 1880s, but rather in the present day. Starring William Finley as Winslow Leach or the Phantom, it covers the story of a record producer who steals Leach's music, causing Leach to get revenge after the producer frames him for doing drugs and puts him in jail. After an accident wrecks his face, Leach becomes the Phantom with the sole intent of getting revenge on the producer, while tutoring an up-and-coming singer.
While the story works well for audiences who may like rock and roll music, it can be hard to swallow for audiences who want to see the classic Phantom story. The film uses the inspiration of multiple stories instead of just one, including Faust and Oscar Wilde. The film was a box office failure but has since reached cult status in the years since and is known as one of Brian de Palma's best films. In fact, it could be argued that it is better than 1975's Rocky Horror Picture Show .
The Phantom Of The Opera: 5 Accurate Scenes From The Book (& 5 Inaccurate Details)
6 the phantom of the opera (1962 film), starring herbert lom (the phantom/professor petrie), heather sears (christine charles), edward de souza (harry hunter), michael gough (lord ambrose d'arcy).
Herbert Lom's Phantom is another horror version of the story, but unlike later versions, it is not overly gory or overly scary. Unlike the Leroux book, the 1962 film does not take place in Paris, but in London. The Phantom is portrayed as a more sympathetic man and eventually dies saving Christine from a falling chandelier, rather than letting Christine go with another man. This more sympathetic approach works for the movie and keeps it suspenseful while giving it heart.
5 The Phantom of the Opera (2004 film)
Starring gerard butler (the phantom), emmy rossum (christine daaé), patrick wilson (raoul), miranda richardson (madame giry), minnie driver (carlotta giudicelli).
The 2004 version of The Phantom of the Opera is based solely on the stage musical. Starring Gerard Butler as the Phantom and Emmy Rossum as Christine, it is a fresh version of the musical with modern faces. It is one of the few Phantom stories that have the Phantom stay alive throughout the entire story. While Butler may not be a trained singer, his rough and raw voice is perfect as the Phantom and a then-teenaged Rossum succeeds as Christine. Critic reviews at the time of the premiere were mixed, but it was well received by audiences worldwide, most of them probably teenagers themselves.
4 The Phantom of the Opera (1990 Miniseries)
Starring charles dance (the phantom), teri polo (christine daaé), adam storke (comte philippe de chagny), burt lanchester (gerard carriere).
This is the only television series on this list and is based on Phantom, a 1991 musical by Andrew Kopit. Despite some changes made to the plot, this version of Phantom stays as true to the original book as possible but allows for creative liberties without feeling forced. The film does not show the Phantom as a slasher villain who thrives on kills but rather as a tragic anti-hero who has not been shown the kinder things in life. Portraying the Phantom as a tragic anti-hero works well for this television series and makes his actions understandable.
3 The Phantom of the Opera at the Royal Albert Hall (2011)
Starring ramin karimloo (the phantom), sierra boggess (christine daaé), hadley fraser (raoul), wendy ferguson (carlotta giudicelli).
Ramin Karimloo and Sierra Boggess have had a long history with the musical version of The Phantom of the Opera , so it only made sense to have a filmed version of the stage production starring them rank high on this list. Filmed at the Royal Albert Hall in 2011, this version came out to celebrate the 25th anniversary of the musical. With only a few minor differences from the original musical version due to timing constraints, it is a powerful performance by both Karimloo and Boggess, especially in the title song.
2 Phantom of the Opera (1943)
Starring claude rains (the phantom/erique claudin), susanna foster (christine dubois), nelson eddy (anatole garron), edgar barrier (raoul dubert).
1943's Phantom of the Opera was a box office success despite mixed reviews when it was released. Even though it is only loosely based on the original Leroux tale, the story is compelling enough to make audiences not worry about it. Unlike Christine in other adaptations of the Leroux tale, Susanna Foster's Christine is independent and determined, eventually choosing not to pursue suitors and dedicating herself to her singing career. The film is also the only Universal horror film to win two Oscars, one for Art Direction and another for Cinematography.
1 The Phantom of the Opera (1925)
Starring lon chaney (the phantom), norman kerry (vicomte raoul de chagny), mary philbin (christine daaé), arthur edmund carewe (ledoux), virginia pearson (carlotta).
The first movie of The Phantom of the Opera , Lon Chaney's 1925 silent film version, is a classic for audiences who love the silent horror films of the late 1920s. Known as the Man of a Thousand Faces, Lon Chaney did his own makeup for the film, creating a spooky, Frankenstein-like effect that left audiences appropriately terrified. There are no changes to the plot or the characters and any violence is implied, never shown, making it successful and true. The film was a critical success on its release in 1925 and was added to the United States National Film Registry in 1998.