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Devialet Phantom II 98db Opera de Paris Wireless Speaker

Devialet Phantom II 98db Opera de Paris Wireless Speaker

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Devialet Remote for Phantom I, Phantom II, and Dione Wireless Speakers (Matte White)

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phantom ii 98 db opéra de paris

REVIEW SPOTLIGHT

Bought this for our garden and I've not been disappointed, super easy to set up and charges quickly on its own base. The sound is outstanding, super crisp and clear from all my different streaming services. Friends can also stream to it which is great for parties..

Product Information

Specifications, what's in the box, monumental, wherever you're seated.

Phantom II Opéra de Paris | Devialet is not only an unparalleled piece of sound engineering. It's also an ode to one of the world’s greatest cultural institutions. It embodies the vision of excellence shared by a 350-year-old cultural maverick and a 21st-century tech company that’s just getting started.

Inspired by the iconic gilded interiors of Paris' prestigious Opera Garnier, the Phantom II Opéra de Paris | Devialet is adorned with signature gold leaf side plates made of Moon Gold, a precious palladium-yellow gold alloy.

Paris' Ateliers Gohard was tasked with finishing the Phantom’s gold leaf side plates. Also responsible for restoring the gold of the Opéra Garnier and other national monuments, these master gilders employ time-honored methods. Each gold leaf is applied by hand in an eight-step process to creating a custom patina. The technique consists of applying a special glue to the support. Once the mix is "amoureuse" — an expression alluding to a delicate, wet kiss — the gold leaf is applied. And these heritage techniques demand absolute perfection—once a leaf has been applied, it cannot be removed.

From Revolution to Reference

Phantom embodies the vision Devialet has been working towards elevating sound to its rightful place in our lives, providing audiences around the world with a uniquely intricate and moving listening experience. Phantom has been revolutionizing the speaker game since its release and has gone on to become a reference for acoustic excellence. By combining a series of radical patented technologies, Phantom consistently shatters expectations, at every step of the sound reproduction chain. Zero distortion, zero saturation, zero background noise.

Expand Your Horizons

The only thing better than a Phantom? Two. In stereo, Phantom's soundstage expands even further and listening takes on a new dimension as the speakers dance in absolute synchronicity. More extreme, more powerful, more exhilarating. It is an unthinkably immersive experience. When combined, Phantoms become the most compact high-end stereo system on the market. Hint: stand in the middle and you'll feel like you're center stage. Really.

Your Music, Where You Want It

Sync your entire home in symphony or stream something different in every room thanks to your Devialet App. With Multiroom, there are now even more ways to play:

  • Multi-Zone Play lets you group any Phantoms and feel the sound sing throughout your space
  • Single-Zone Play lets you mix and match your Phantoms in a single space for a next-level sound experience.
  • Individual Play lets you have jazz playing in the kitchen while a podcast is being devoured on the couch. And everyone can control their own volume and manage zones right from the Devialet App.

Note: For iOS customers, Phantom gives you the option to also enjoy a multiroom set up through Airplay 2®.

The Devialet App: Your Sound, Your Way

Power this unreasonable requires some control. Set up your Phantom, finetune your settings, and stay up to date, all via the Devialet App. An intuitive companion, the app lets you customize your Phantom experience: setting up your Phantom, adjusting latency for A/V, activating Standby Mode, or customizing bass for Night Mode.

Engineering Excellence

Devialet thrives on end-to-end innovation (hardware, software, design inside and out, manufacturing) to offer ever-enhanced acoustics. In fact, to create Phantom, Devialet even built its own plant, hired talent that was used to unique challenges in other industries, and conceived its own robotics and quality control. 200+ patents and 90+ awards later, Phantom speakers are, more than ever, in a class of their own.

A Clear Path

Phantom includes Devialet's powerful next-generation audio processing chip which helps deliver improved sound quality. Phantom's signal processing and amplification performance are embedded in an SoC (System on a chip), which was custom designed for optimal integration. The results? Enhanced heat dissipation for optimal performance at any volume, better energy efficiency, and barely measurable distortion, saturation, or noise.

The Best of Both Worlds

ADH®, or Analog Digital Hybrid, is Devialet's signature patented technology. In a truly groundbreaking feat, an analog amplifier teams up with four digital amplifiers. Working in parallel, the analog amplifier reproduces an unspoiled signal and sends it to the digital amplifiers, which are able to translate it digitally. In other words, ADH® combines the sophistication of analog with the power and miniaturization of digital for the first time. It has been called revolutionary. We're happy with "the best of both worlds."

Welcome to the Deep End

Developed exclusively for Phantom, HBI®, or Heart Bass Implosion, lets you feel infra bass frequencies —all the way down to 14Hz. Engineered to perform under extreme constraints, Phantom’s hermetically sealed architecture consists of two lateral woofers. When cued, they begin to dance in sync, creating opposing forces that cancel out even the slightest vibrations and generate ultra-dense sound, the kind your bones perceive before your ears. That's why you feel immersed in Phantom: because you are, from head to toe.

As the Artist Intended

SAM®, or Speaker Active Matching, is a software algorithm designed to deliver extreme fidelity throughout playback while protecting your speaker. Whether you are dealing with transient or steady-state signals, SAM® is able to process more information than previously thought possible. This enables Phantom to reproduce the exact tempo of your music, at all frequencies. All of it, with absolute precision. So that you can experience every last emotion, just as the artist intended.

Performance-Driven Design

Phantom's elegant curves are guided by acoustics over design. Inspired by Harry Ferdinand Olson's pulsating sphere principle, Phantom's ACE®, or Active Cospherical Engine, radically optimizes the way sound waves form and travel. Instead of projecting in the classic 180° arc-like traditional box speakers, Phantom achieves a 360° sound stage, emitting evenly and in all directions for perfectly balanced sound and zero surface diffraction. Whatever the listening angle.

  • Maximum Sound Level: 98 dB SPL at 1 meter
  • Amplification Power: 400 Watts RMS
  • Amplification Performance: THD+N: 0.0001%
  • Frequency Response: 18Hz to 21kHz (@ 6dB)
  • Accuracy in Frequency Response: ± 1dB from 25Hz to 20kHz
  • Exclusive Technologies: ADH®, SAM2®, HBI2®, EVO®, ACE2®
  • 1x Aluminum Full-Range driver
  • 2x Aluminum Bass drivers
  • 24bits/96kHz
  • THD: -112dB
  • Operating System: Devialet Operating System 2 (DOS 2) up to 24bits/48kHz
  • Processor: ARM Cortex-A9 1.25GHz processor 512MB DDR3-1600 memory
  • Composite body
  • Internal skin: glass fiber filled polycarbonate incorporating a metal insert providing additional rigidity
  • External skin: polished ABS
  • Aluminum central core
  • Body: white RAL 9016
  • Gold leaf plated sides
  • Dimensions (W x H x D): 8.62" x 6.18" x 6.61"
  • Weight: 9.48lbs
  • Total Volume: 3L
  • Power Supply: IEC 90-240V ~ 50/60Hz
  • Power Consumption: 130W (at full power), 0.5W (in standby)
  • Synchronization: Stereo pairing via Devialet App
  • App: Devialet App (iOS, Android)
  • Spotify Connect
  • Bluetooth: A2DP and AVRCP profiles, AAC, SBC audio codecs
  • Roon Ready (Hi-Res: 24bits/48kHz)
  • UPnP Renderer (Hi-Res: 24bits/48kHz)
  • Analog/Optical jack input (Hi-Res: 24bits/48kHz)
  • Audio Formats: HE-AAC (V1), AAC (16 to 320 kbit/s), WMA (16 bit), MP3 (16 to 320 kbit/s), MP3 VBR, Apple Lossless, AIFF and WAV, FLAC, OGG, VORBIS
  • Touch-sensitive Controls: Yes
  • Wi-Fi Dual-band (a/b/g/n 2.4 GHz & 5 GHz)
  • Ethernet RJ-45 10/100/1000 Mbps (Gigabit)
  • CPL Homeplug AV2
  • Phantom II Speaker
  • Power cable
  • Documentation

Review: Devialet Phantom I & II Wireless Speakers

Review: Devialet Phantom I & II Wireless Speakers

Explore packaged solutions, devialet phantom ii 98db opera de paris wireless speaker with legs stand for phantom ii (white) - pair, devialet phantom ii 98db opera de paris wireless speaker with remote (matte white), you may also like, recently viewed.

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Phantom II 98 DB Opéra de Paris

Feb 21, 2023 | 0 comments

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Phantom II 98 DB Opéra de Paris

  • Description

Specifications

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The master gilders at Ateliers Gohard finished the Phantom’s gold leaf side plates following time-honored methods. Each gold leaf is applied by hand to create a unique patina. And these heritage techniques demand absolute perfection—once the leaf has been applied, it cannot be removed. Bearing the Phantom II 98 dB Opéra de Paris | Devialet signature, the side plates are gilded with Moon Gold, a precious and stainless palladium-yellow gold alloy.

Compact yet immense. Phantom II 98 dB speaker is a feat of sound engineering, delivering unreasonable power. The only ultra-compact speaker capable of delivering high fidelity and physical impact, whatever volume you listen at. Touch controls give you total command of Phantom II with a single stroke. 

0 distortion – 0 saturation – 0 background noise

Whether you’re used to Bluetooth or Wi-Fi, optical or analog, Phantom II’s open architecture lets you have it your way. AirPlay®. UPnP. Spotify Connect. Get straight to the music you love.

HBI® Heart Bass Implosion

HBI® is a one-of-a-kind system. Developed exclusively for Phantom, it takes you to the lowest frequencies ever emitted. Engineered to perform under extreme compactness and pressure, Phantom’s hermetically sealed architecture consists of two lateral woofers powering together. The sheer thrust force behind their combined movement generates ultra-dense sound with physical impact. Right down to infrasound. 14Hz. Welcome to the deep end.

EXPAND YOUR HORIZONS

The only thing better than one Phantom? Two. In stereo, Phantom's soundstage expands even further and listening takes on a new dimension as the speakers dance in absolute synchronicity. More extreme, more powerful, more exhilarating. It is an unthinkably immersive experience.

Synchronization

Phantom synchronisation via Wi-Fi, Ethernet. Ethernet wiring is recommended for multiroom installation with more than 6 Phantoms.

Connectivity

Airplay 2 Spotify Connect Bluetooth : A2D and AVRCP profiles, AAC, SBC audio codecs Roon Ready (Inputs up to 24bits/96kHz) UPnP Renderer (Inputs up to 24bits/96kHz) Analog/Optical jack input (Inputs up to 24bits/96kHz)

Wi-Fi Dual-band (a/b/g/n/ac 2.4GHz & 5GHz) Ethernet RJ-45 10/100/1000 Mbps (Gigabit)

Devialet app (iOS, Android)

MSRP: $1900 (Each)

Loudspeakers

1 x Aluminum Full-Range driver 2 x Aluminum Bass drivers

Digital to Analog Converter

Devialet DAC embedded in Devialet Intelligence Processor 24bits / 96kHz THD: -112dB

ARM Cortex-A9 1.25GHz processor 512MB DDR3-1600 memory

Side Plating

Body: white RAL 9016 | Gold leaf plated sides

Power Supply

IEC 100-240V ~ 50/60Hz

Performances

Maximum sound level.

98 dB SPL at 1 meter

Total amplification power

400 Watts RMS

Amplification Performance

THD+N* : 0.001% | Saturation : 0 | Background Noise 0 dB SPL at 1m (*Total Harmonic Distortion + Noise)

Frequency response (bandwidth)

Bandwidth: 18Hz to 21kHz (@-6dB) Accuracy in frequency response : ± 1dB from 25Hz to 20kHz

Dimensions & Weights

Width: 157 mm - 6.18" | Height: 168 mm - 6.61"  | Depth: 219 mm - 8.62"

4.3 kg - 9.5 lbs

Phantom II 95 dB & Phantom II 98 dB: WHAT'S THE DIFFERENCE?

The main difference between Phantom II 95 dB and Phantom II 98 dB is their power. Phantom II 98 dB can achieve twice the power of Phantom II 95 dB. Both models offer identical sound quality.

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Devialet Phantom II 98 dB Opéra de Paris Wireless Speaker

Product details.

  • Delivering monumental sound, this striking wireless speaker bears the Phantom Reactor Opéra de Paris | Devialet signature, featuring side plates gilded with Moon Gold, a precious and stainless palladium-yellow gold alloy.
  • A feat of sound engineering, delivering unreasonable power
  • Gold-leaf side plates hand-applied by master gilders
  • Touch controls give you total command with a single tap
  • Delivers sound with zero saturation, zero background noise, 1m total harmonic distortion + noise
  • Connectivity: Airplay; UPnP Renderer; Bluetooth: A2DP and AVRCP profiles, AAC, SBC audio codecs; Spotify Connect; Analog/Optical jack input (up to 48kHz via analog and up to 96kHz via optical)
  • Includes: Phantom Reactor Opera de Paris, power cord, quickstart guide
  • Compatibility: ML999 legs
  • Dimensions: 10"L x 8"W x 10"H
  • Weight: 9.47 lbs
  • ARM Cortex-A9 1.25GHz processor; 512MB DDR3-1600 memory
  • Loudspeakers: 1 aluminum full-range driver; 2 aluminum bass drivers
  • Stereo pairing via Devialet app (iOS 11 or later, Android 5.0 or later)
  • Power: 900 watts
  • Manufacturer's 2-year warranty included with your purchase of a speaker at no additional cost. You can purchase an additional 3-year warranty separately via web ID 3828049.
  • Made in France
  • Warranty Information

Web ID: 3828040

material & care

  • Polished ABS aluminum; matte stainless steel; gold-leafed side plates
  • Wipe clean with damp cloth

shipping & returns

  • Our Normal Gift Boxing is not available for this item.
  • Please call customer service for returns.

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Products Devialet Phantom II 98dB Opéra de Paris Wireless Powered Speaker System

Devialet Phantom II 98dB Opéra de Paris Wireless Powered Speaker System (each)

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A complete hi-fi system, simply plug into a power outlet. Beautiful looks, extreme bass performance, and Roon Ready. The Opéra de Paris edition features hand-applied gold leaf by master gilders from Paris 

The Phantom forever changed the expectations of a single, powered speaker by shattering the traditional limitations of size and space. Distinctive and iconoclastic, it packs groundbreaking technologies to deliver an intense listening experience, the kind you feel in your bones and in your soul, for real. Highly intuitive and connectable, Phantom II is a more compact version of the Phantom I and delivers much of that speaker's power, clarity, and precision in a package for smaller rooms or in secondary settings.  

The Opéra de Paris edition was finished by the master gilders at Ateliers Gohard with Moon Gold, a precious and stainless palladium-yellow gold alloy. Each leaf is applied by hand using time-honored methods, creating a unique patina.

Devialet Multiroom for Phantom

Sync up like a symphony, or different tunes in different rooms.

Mix and match your Phantoms in single or multiple zones. Each zone volume can be managed individually with the Devialet app.

  • High power of 400 W
  • Amazing frequency response from 18 Hz to 21 kHz
  • Hand-gilded sides
  • Devialet DAC embedded in Devialet Intelligence Processor
  • Phantom synchronization via Wi-Fi, Ethernet or PLC
  • Roon Ready or use free Devialet app on iOS or Android
  • Devialet remote

Specifications

Drivers:   1 aluminum fullrange, 2 x aluminum woofers

Max Sound Level:  98 dB SPL at 1 meter

Output power:  400 W RMS Frequency Response (-6 dB, -2 dB):  14 Hz to 27 kHz, 20 Hz to 20 kHz

Sampling Rate:  Up to 96 kHz, 24 bits

Input:   1 x optical

Connectivity:  Airplay 2, Spotify Connect, Bluetooth (A2D and AVRCP), AAC, SBC audio codecs, Roon Ready, UPnP Renderer (Inputs up to 24bits/96kHz)

Network:  Wi-Fi Dual-band (a/b/g/n/ac 2.4GHz & 5GHz), Ethernet RJ-45 10/100/1000 Mbps (Gigabit), CPL Homeplug AV2 Dimensions (WHD):  6" x 6.6" x 8.6" (157 x 168 x 219 mm) Weight:  9.5 lb

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  • Enceintes sans fil hi-fi

Devialet Phantom II 98 dB Stéréo Opéra de Paris

Devialet phantom ii 98 db stéréo opéra de paris enceintes sans fil hi-fi.

  • dont 2 € d'écotaxe

En stock : expédié sous 24h

Description

Caractéristiques

Questions/réponses

Points forts

  • Puissance de 400 watts RMS
  • Qualité de fabrication
  • WiFi et Bluetooth

Récompensé par la presse

Ce pack Devialet Phantom II 98 dB Stéréo comprend deux enceintes sans fil Devialet Phantom II 98 dB.  L'enceinte connectée Devialet Phantom II 98 dB, grande soeur de la  Devialet Phantom II 95 dB , est une version plus compacte des modèles  Devialet Phantom I 103 dB  et  Devialet Phantom I 108 dB  dont elle reprend la forme et les fonctionnalités.

L'enceinte connectée Devialet Phantom II est un modèle plus compact que la classique Phantom I. Cette enceinte connectée de 400 Watts mesure moins de 22 cm de profondeur pour 17 cm de large.

L'enceinte connectée Devialet Phantom II 98 dB adopte une amplification hybride analogique-numérique brevetée capable de délivrer une puissance de 400 watts RMS. Une puissance colossale, qui s'explique par la technologie des haut-parleurs de grave embarqués. Spécifiquement conçus pour descendre très bas en fréquence - jusqu'à 18 Hz ! - ils sont naturellement d'une faible sensibilité et leur membrane en aluminium est lourde. Des conditions sine qua non pour taquiner l'infra-grave malgré une surface émissive réduite et le volume de charge d'une enceinte compacte. Les registres de fréquences médium et aigus sont confiés à deux autres haut-parleurs spécifiques, à membrane en aluminium également. Ainsi équipée, l'enceinte Devialet Phantom II 98 dB peut produire un volume sonore de 98 dB (à 1 m).

Le haut-parleur médium et le tweeter de l'enceinte Devialet Phantom II 98 dB est protégé par une grille acoustique au motif géométrique très élégant.

Équipée de contrôleurs réseau WiFi, Ethernet et Bluetooth, l'enceinte Devialet Phantom II 98 dB permet le streaming en UPNP jusqu'à 24 bits / 192 kHz. En outre, le protocole Apple AirPlay est intégré, pour écouter des musiques depuis un iPhone, un iPod touch, un iPad, un Mac ou depuis iTunes (Mac OS et Windows). Spotify est par ailleurs utilisable depuis l'application native Spotify. Quant au récepteur Bluetooth, il supporte les codecs SBC, AAC (iPhone) et aptX (Samsung et smartphones avec SoC Qualcomm).

La connectique de l'enceinte Devialet Phantom II 98 dB est minimaliste avec une prise RJ45, la prise secteur et une entrée mini-jack compatible numérique Toslink.

Puissance d'amplification 400 watts RMS

Haut-parleurs 1 x haut-parleur large-bande (full range) à dôme aluminium 2 x haut-parleur grave à dôme aluminium

Mesures Niveau sonore maximal : 98 dB SPL à 1 mètre Réponse en fréquence : 18 Hz à 21 kHz (@ -6 dB) Précision de la réponse en fréquence : ± 1 dB de 25 Hz à 20 kHz THD+N* : 0.001% Saturation : 0 Souffle : 0 dB SPL à 1m (*Total Harmonic Distortion + Noise)

Contrôle Boutons tactiles Contrôle UPNP

Formats audio pris en charge HE-AAC (V1), AAC (16 à 320 kbit/s), WMA (16 bit), MP3 (16 à 320 kbit/s), MP3 VBR, Apple Lossless, AIFF et WAV, FLAC, OGG, VORBIS

Finition Flasques latérales en aluminium  Enceinte composite bi-injectée Couche interne : polycarbonate renforcé fibre de verre intégrant un insert métallique apportant une rigidité supplémentaire. Couche externe : ABS polie Âme centrale en aluminium injecté sous pression Volume : 3 litres

Connectivité WiFi Airplay / Airplay 2 UPnP Renderer Bluetooth : profiles A2DP et AVRCP, AAC, SBC audio codecs Spotify Connect DAC Devialet intégré dans le Processeur Intelligent Devialet Fichiers supportés : jusqu'à 24 bits / 96 kHz THD : -112 dB Entrée analogique jack / numérique optique ( (Hi-Res : 24 bits / 96 kHz) ) Prise réseau RJ45

Généralités Dimensions (lxhxp) : 219x157x168 mm Poids : 4,3 kg

Impossible d'attribuer moins que la note maximale à la Phantom Reactor, à la lumière de cette simple constatation : ce qu'elle a l'ambition de faire, elle le fait merveilleusement bien. Jamais auparavant une enceinte de cette taille n'a été capable d'une telle puissance, d'une telle dynamique, et surtout de graves aussi incroyablement profonds et percutants. Alors, certes, on peut trouver dans le monde de la hi-fi "traditionnelle" — par exemple avec les Kef LSX — des produits moins onéreux, moins ergonomiquement contraignants, à la sonorité plus fine (mais beaucoup moins spectaculaire) ; bref, des produits beaucoup plus cartésiens. Qu'importe, on nous dit que la Reactor s'offre à ceux qui ont le goût du "déraisonnable". Comme quoi, le marketing ne dit pas toujours que des choses insensées.

Les Numériques

Les Devialet ne sont pas parfaites, avec un aigu un peu proéminent, une application mobile inaboutie, des basses parfois trop présentes (surtout en mono) et un bas-grave limité. Aucun système n’est parfait ! Leur taille miniature facilite d’autant l’acceptation du compromis. Les Devialet ont également pour elles leur style incroyable (si vous aimez), en blanc laqué ou en noir mat, ainsi que leur facilité d’utilisation au quotidien via Roon, AirPlay ou Bubble UPnP. Si vous avez prévu d’investir dans une chaîne HiFi complète en éléments séparés, faites tout de même l’essai des Phantom Reactor en stéréo (et avec Roon). Vous pourriez être surpris.
L’enceinte hi-fi sans fil Devialet Phantom Reactor 900 a reçu la récompense VGP 2020 Summer Lifestyle Award dans la catégorie enceintes sans fil entre 800 € et 1500 €.

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Devialet Phantom II

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phantom ii 98 db opéra de paris

Devialet Phantom II 98db Opera De Paris

$ 2,999.00

Monumental, wherever you’re seated. 900 Watts | 98 dB SPL

The master gilders at Ateliers Gohard finished the Phantom’s gold leaf side plates following time-honored methods. Each gold leaf is applied by hand to create a unique patina. And these heritage techniques demand absolute perfection—once the leaf has been applied, it cannot be removed. Bearing the Phantom Reactor Opéra de Paris | Devialet signature, the side plates are gilded with Moon Gold, a precious and stainless palladium-yellow gold alloy

Condition: New

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PHANTOM REACTOR OPERA DE PARIS | DEVIALET

phantom ii 98 db opéra de paris

SPOTIFY CONNECT

phantom ii 98 db opéra de paris

OPTICAL CABLE

phantom ii 98 db opéra de paris

phantom ii 98 db opéra de paris

PRODUCT SPECIFICATIONS

PERFORMANCE

Maximum Sound Level: 98 dB SPL at 1 meter Amplification Power: 900 Watts peak Amplification Performance:  THD+N*: 0.001% | Saturation: 0 | Background Noise 0 dB SPL at 1m (*Total Harmonic Distortion + Noise) Frequency Response (Bandwidth): Bandwidth: 18Hz to 21kHz (@-6dB) Accuracy in frequency response : ± 1dB from 25Hz to 20kHz

DOWNLOAD MANUAL

SPECIFICATIONS

LOUDSPEAKERS

  • 1 x Aluminum Full-Range driver
  • 2 x Aluminum Bass drivers

DIGITAL TO ANALOG CONVERTER

  • Devialet DAC embedded in ADH3 intelligence
  • 24bits/96kHz
  • THD: -112dB
  • ARM Cortex-A9 1.25GHz processor 512MB DDR3-1600 memory

SIDE PLATING

  • Body: white RAL 9016 | Gold leaf plated sides
  • Width: 157 mm | Height: 168 mm | Depth: 219 mm

phantom ii 98 db opéra de paris

SYNCHRONISATION

  • Stereo pairing via Devialet App

CONNECTIVITY

  • UPnP Renderer
  • Bluetooth : A2D and AVRCP profiles, AAC, SBC audio codecs
  • Spotify Connect
  • Analog/Optical jack input (Up to 48kHz via analog and up to 96kHz via optical)
  • Wi-Fi Dual-band (a/b/g/n/ac 2.4 GHz & 5 GHz)
  • Ethernet RJ-45 10/100/1000 Mbps (Gigabit)
  • CPL Homeplug AV2
  • Devialet app (iOS 11 or later, Android 5.0 or later)

WHAT'S IN THE BOX

  • 1 Phantom Reactor Opéra de Paris
  • 1 Power cord
  • 1 Quickstart guide

phantom ii 98 db opéra de paris

Good to go.

Our video tutorials are designed to guide you through setup seamlessly. Also an easy set-up guide is available for download. So you can get started with Phantom. Right away.

CAN I USE THE DEVIALET APP TO CONTROL THE VOLUME ON SOURCES CONNECTED TO PHANTOM REACTOR? Be our guest. You can handle volume for any source connected to Phantom Reactor straight from the Devialet app. Track control (play – pause – next – previous) is also available for all sources except the analog input jack (not compatible with this type of command).

WHAT’S THE WARRANTY ON PHANTOM REACTOR OPERA? Phantom is covered by a two-year international warranty effective from date of purchase or delivery. For total peace of mind, our Devialet Care package provides an additional three-year warranty (that’s five in total) and covers for one incident of accidental damage, subject to additional charge as per recommended rates.

WHY SHOULD I GET PHANTOM DUO? One Phantom playing solo is a unique emotional experience, unlike anything you’ve ever heard from a system this compact. Mesmerizing.

Now imagine a second Phantom playing in duo. Listening takes on a whole new dimension with a physically wider and deeper soundstage. More extreme, more powerful, more exhilarating. An unthinkably immersive experience.

Still Looking?

More from devialet, why choose us.

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We are committed to exceptional customer service, accessibility and a customer-centric approach. We offer premium products from top brands that we proudly stand behind. Our promise is to deliver the best.

Premium Sound is an Authorised dealer of all the brands we sell. That means we are trusted product experts, able to offer up-to-date support and honest advice. All products come with a full Australian warranty.

We’re passionate about the richness and precision of high-quality audio and video. That’s why every brand and product we offer meets our stringent Premium Quality criteria.

As a small, dedicated team deeply passionate about all things audio and video, we’re enthusiastic about having conversations on the subject. Don’t hesitate to initiate a chat, and we’ll gladly help you discover the ideal product.

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In the event that things don’t go as expected, rest assured, we’re here to assist you. While technology evolves rapidly, it doesn’t mean it should be hastily discarded when issues arise. We believe in providing lasting solutions

Premium Sound - Bang & Olufsen, Bose, Sonos

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Devialet Phantom II 98 dB Opéra de Paris Wireless Home Speaker

Devialet Phantom II 98 dB Opéra de Paris Wireless Home Speaker

Regular price $2,699.00

Phantom II 98 dB  Opéra de Paris

The  shockingly small   wireless speaker, adorned with signature gold leaf side plates .

Monumental compactness and power .

Phantom II Opéra de Paris is not only an unparalleled piece of sound engineering. It's also an ode to one of the world’s greatest cultural institutions. It embodies the vision of excellence shared by a 350-year-old cultural maverick and a 21st-century tech company that’s just getting started.

Our partnership with the Opéra de Paris gave life to an immersive Devialet Area in the heart of the Garnier Opera House, as well as an exclusive Phantom collection. Hand-adorned with gold leaf by prestigious Les Ateliers Gohard, who also restores the gold of the Palais Garnier, the collection was inspired by a vision of excellence and dedication to French musical heritage and savoir-faire .

Compact yet immense. Phantom II 98 dB speaker is a feat of sound engineering, delivering unreasonable power. The only ultra-compact speaker capable of delivering high fidelity and physical impact, whatever volume you listen at. Touch controls give you total command of Phantom II with a single stroke.  By stretching size and performance beyond reasonable limits, Devialet engineers have brought to life Phantom II with its hugely addictive, implosive sound. 

Bearing the Phantom II 98 dB Opéra de Paris | Devialet signature, the side plates are gilded with Moon Gold, a precious and stainless palladium-yellow gold alloy.

phantom ii 98 db opéra de paris

Shared vision of  excellence .

A landmark French institution meets the new wave of tech innovation in France.  It was such a great dream that it was difficult to believe it would ever come true. With ambition and determination, Devialet pursued it for almost three years. The Paris Opera fully accepted to entertain our dream, based on a shared quest for sonic perfection and strong ties to France's musical heritage.  

Gold leaf  side plates .

For the Paris Opera, Devialet conceived a special edition of Phantom, an outstanding piece of engineering protected by more than 100 patents. Inspired by the iconic gilded interiors of the space, Phantom Opéra de Paris | Devialet features the Paris Opera logo and gold leaf side plates finished by Ateliers Gohard, who also restores the gold of the Opéra Garnier. The master gilders at Ateliers Gohard finish the Phantom’s gold leaf side plates according to time-honoured methods. Each gold leaf is applied by hand for a unique, irreplaceable patina. Heritage techniques demand absolute perfection the first time around; once the leaf has been applied, it cannot be removed. 

phantom ii 98 db opéra de paris

An entire  orchestra .

The Devialet sound discovery area opened at the Palais Garnier in 2017, ideally located in the west area of the Grand Vestibule. This space has been designed as a minimal setting with sophisticated details, and overseen by the chief architect of France's historic monuments and the regional directorate of cultural affairs. Within this space, the Phantoms Opéra de Paris | Devialet shine as exceptional technological masterpieces. Guests will witness not one Phantom or Phantom pair, but an entire orchestra of 16 Phantoms delivering the purest, most profound emotion that sound can possibly deliver within the walls of a venerable temple to sound itself.

Seriously  sophisticated .

Exceptional things really do come in small packages. Phantom II is the first ultra-compact home speaker designed to take you deeper into sound. A most intense concentration of advanced technology delivering audiophile-grade playback. Find out what you're both capable of.

Made in  France.

Phantom is a product of its French heritage in every sense. Each Phantom is designed and manufactured in France. A dedicated team ensures that the same rigour we put into research is carried through to the very final step. A fully automated assembly line leaves nothing to chance. A short circuit and limited packaging make our operations more sustainable .

Anatomical  anomaly .

Years of research and development, 160+ patents filed, and 100 specialists in aerodynamics, automotive, acoustics, and mechanical engineering. That's all it took to perfect a system capable of pushing the limits of physics, and deliver standard-setting performance. Zero distortion, zero saturation, zero background noise .

See   and   feel  the beat.

If your music appears to come to life, don't worry. That's just Phantom's woofers at work. Breaking with the norm, Phantom’s design conceals the loudspeaker mechanics behind two immaculate domes. Press play and watch the mesmerizing dance that unfolds before you. A blend of finesse and strength, the visual effect is as immediate as the the physical one. A glimpse behind a frame unveils convex woofer membranes that increase overall acoustic pressure and volume for added power. It’s sound that really moves. And moves you, too .

Physical   impact of sound.

By combining a series of radical patented technologies, Phantom consistently shatters expectations, at every step of the sound reproduction chain. Phantom II 98dB has an appealing streamlined shape — but still gives you amazingly clear, detailed, and robust sound. Two side-firing aluminum woofers deliver powerful, tight bass. They combine with a centred aluminum full-range driver to create an expansive soundstage that fills your room.

phantom ii 98 db opéra de paris

The Devialet App:  your sound, your way .

Power this unreasonable requires some control. Set up your Phantom, fine tune your settings, and stay up to date, all via the Devialet App. An intuitive companion, the app lets you customize your Phantom experience: setting up your Phantom, adjusting latency for A/V, activating Standby Mode or customizing bass for Night Mode .

Your music,  where you want it.

Sync your entire home in symphony or stream something different in every room thanks to your Devialet App. With Multiroom, there are now even more ways to enjoy. Multi-Zone Play lets you group any Phantoms and feel the sound sing throughout your space. Single-Zone Play lets you mix and match your Phantoms in a single space for a next-level sound experience. Individual Play lets you have jazz playing in the kitchen while a podcast is being devoured on the couch. And everyone can control their own volume and manage zones right from the Devialet App. For iOS and macOS customers, Phantom also gives you the option to enjoy a multiroom set up through AirPlay 2 .

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Instant  connection.

Whether you’re used to Wi-Fi or Bluetooth, optical or analog, Phantom's architecture lets you have it your way. AirPlay. Spotify Connect.  UPnP.  Get straight to the music you love .

Phantom now combines industry-leading sound engineering with more high-resolution capabilities in order to deliver exceptional listening experiences. Along with UPnP and the optical input, Phantom is also Roon Ready, giving all Phantom users ways to enjoy 24-Bit Hi-Res audio like never before .

phantom ii 98 db opéra de paris

Expand  your horizons .

The only thing better than one Phantom? Two. In stereo, Phantom's soundstage expands even further and listening takes on a new dimension as the speakers dance in absolute synchronicity. More extreme, more powerful, more exhilarating. It is an unthinkably immersive experience .

Engineering  excellence.

Devialet thrives on end-to-end innovation — hardware, software, design inside and out, manufacturing — to offer ever-enhanced acoustics. In fact, to create Phantom, we have had to build our own plant, hire talents who were used to unique challenges in other industries, conceive our own robotics and quality control.

Intelligence  Processor .

Phantom includes our powerful Devialet Intelligent Processor which helps deliver improved sound quality. Phantom's signal processing and amplification performance (ADH®, SAM®, Magic Wire, Class A, DAC) is embedded in a SoC (system on a chip), which was custom designed for optimal integration. The results? Enhanced heat dissipation for optimal performance at any volume, better energy efficiency, and barely measurable distortion, saturation, or noise.

HBI

The Devialet  aesthetic.

In crafting Phantom’s overall look, we focused on function and an obsessive attention to detail. Some call it French savoir-faire and art de vivre. We view this as honouring craftsmanship and pleasure equally. Beyond its iconic spherical shape, Phantom also offers a range of colours, materials, and finishes that can stand out or blend in.

In designing Phantom, we immediately knew we needed to create a spherical object. It's the ideal acoustic shape for 360° diffusion and performance. But there's a reason no other speaker looks like Phantom: it's a challenging shape to work with. Through countless iterations, we were able to reconcile acoustics and aesthetics, giving life to a speaker that that would seduce all senses. 

When seen from the front, Phantom's compactness is unmissable. As you make your way around the sides, the elongated body and side plates are revealed. By stretching out the curvature, we were able to create a light, harmonious feel without sacrificing on loudspeaker power. Designed for longevity, Phantom’s body makes it more robust and performant, ensuring sound is unaltered even at higher temperatures.

Geometric Protection.

Phantom II speaker

Quick start guide

Two-year warranty

Maximum Sound Level

98 dB SPL at 1 meter

Total amplification power

400 Watts RMS

Amplification Performance

THD+N: 0.001%

Saturation: 0

Background Noise: 0 dB SPL at 1m

Frequency response (bandwidth)

Bandwidth: 18Hz to 21kHz (@-6dB)

Accuracy in frequency response : ± 1dB from 25Hz to 20kHz

Synchronisation

Phantom synchronisation via Wi-Fi and Ethernet.

Ethernet wiring is recommended for multiroom installation with more than 6 Phantoms.

Connectivity

Spotify Connect

Bluetooth : A2D and AVRCP profiles, AAC, SBC audio codecs

Roon Ready (Inputs up to 24bits/96kHz)

UPnP Renderer (Inputs up to 24bits/96kHz)

Analog / Digital Optical jack input  (Inputs up to 24bits/96kHz)

Wi-Fi Dual-band (a/b/g/n/ac 2.4GHz & 5GHz)

Ethernet RJ-45 10/100/1000 Mbps (Gigabit)

Devialet app (iOS, Android )

Loudspeakers

1x Aluminum Full-Range driver

2x Aluminum Bass drivers

Digital to Analog Converter

Devialet DAC embedded in Devialet intelligence Processor

24bits/96kHz

THD: -112dB

ARM Cortex-A9 1.25GHz processor 512MB DDR3-1600 memory

Side Plating 

Body: white RAL 9016

Sides: g old leaf plated

Power Supply

IEC 100-240V ~ 50/60Hz

phantom ii 98 db opéra de paris

Width: 157 mm | 6.1 in 

Height: 168 mm | 6.6 in

Depth : 219 mm | 8.5 in 

4.3 kg | 9.5 lb

Audiofi is your Devialet Phantom dealer - we ship free in Canada

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PHANTOM II 98 DB OPÉRA DE PARIS - AVStore

PHANTOM II 98 DB OPÉRA DE PARIS

Devialet phantom reactor opéra de paris, this is no small revolution..

Monumental, wherever you're seated.

98 dB SPL. 18Hz – 21kHz. 400 Watts RMS.

The master gilders at Ateliers Gohard finished the Phantom’s gold leaf side plates following time-honored methods. Each gold leaf is applied by hand to create a unique patina. And these heritage techniques demand absolute perfection—once the leaf has been applied, it cannot be removed. Bearing the Phantom II 98 dB Opéra de Paris | Devialet signature, the side plates are gilded with Moon Gold, a precious and stainless palladium-yellow gold alloy.

THIS CHANGES EVERYTHING – EXCEPT YOUR TAKE ON MUSIC.

Whether you’re used to Bluetooth or Wi-Fi, optical or analog, Phantom Reactor’s open architecture lets you have it your way. AirPlay®. UPnP. Spotify Connect. Get straight to the music you love.

SOLO OR DUO: HOW FAR WILL YOU GO?

More than you bargained for, Phantom Reactor’s spherical design radically redefines Solo performance. Experience beautifully rich and unspoiled acoustics, wherever you are.

From first half of 2019, you'll be able to bring second Phantom Reactor into play by performing a simple in-app upgrade. With double the power, an even wider soundstage and full-on immersion, prepare for home stereo in epic proportions.

LOOKS XXS. SOUNDS XXL.

Unreasonably compact for a system this powerful, Phantom Reactor fits in almost anywhere. Made for compulsive listening experiences, the new easy-to-carry Phantom features every available Devialet technology in under 3 liters. Sound that really moves? You bet.

Remarkably subtle playback lets you uncover the full richness of your favorite tracks. Discover details you never knew existed.

Physical Impact

Ultra-low frequencies take you beyond the limits of the human ear. Feel infrabass with your entire body, however low the volume.

Power and precision ensure every last vocal and instrumental attack is rendered immaculately.

Unique spherical acoustical architecture designed to deliver the widest possible soundstage.

Zero background noise and zero saturation bring a soothing listening experience.

Matching the exact same rhythm as the original recording or film. Lose yourself in the moment – and nothing else.

UNIQUE DEVIALET INNOVATIONS

Phantom Reactor embodies the idea of progress we’re constantly working towards: bringing the depth of emotion of high-fidelity sound to as many of you as we can – one patented revolution at a time.

Irreversibly powerful listening experiences demand permanent innovation. By working non-stop to enhance and miniaturize Devialet technologies, we are now able to deliver them to you in the most concentrated format possible. This is Phantom Reactor. Prepare to be moved.

ADH® Analog Digital Hybrid

A Devialet-patented technology, ADH® or Analog Digital Hybrid gives you all the sophistication of Class A analog with all the power and compactness of Class D digital. The best of both worlds. For amplification of unparalleled clarity and transparency, whatever the volume.

A feat of electroacoustic engineering, Phantom Reactor uses the same amplification technology as Phantom Premier while taking compactness and efficiency to new extremes. Breathtaking.

SAM® Speaker Active Matching

We invented SAM® mathematical model to ensure immaculate fidelity all throughout playback. Whether you’re dealing with transients or steady-state signal, the degree of information processed by SAM® surpasses anything previously thought possible. This enables Phantom to reproduce the exact rhythm and tempo of your music with absolute precision. So you can feel every last emotion, true to the original.

HBI® Heart Bass Implosion

HBI® is a one-of-a-kind system, designed to take you deeper into sound. For the first time, an ultra-compact home speaker is able to reproduce ridiculously low bass that resonates beyond the limits of the humar ear, throughtout your entire body. Unleash your music's full potential. All the way down to 18Hz.

Phantom Reactor is built around a novel structure: two hermetically sealed woofers powering together under extreme pressure. The sheer thrust force behind each lateral woofer generates physical impact that shouldn't be allowed for loudspeakers this small. Get ready for infrabass you can feel in your bones.

ACE™ Active Cospherical Engine

ACE™ is the technology responsible for Phantom Reactor’s radical spherical architecture. Drawing on Olson’s pulsating sphere principle, Phantom Reactor dramatically optimizes the way sound waves form and spread: evenly, and in all directions. For perfectly balanced audio and zero surface diffraction, wherever you are in the room. Dive into sound.

By choosing a full-range loudspeaker for Phantom Reactor, our engineers have managed to achieve sound that's more spatial than ever before with even greater clarity on treble.

EVO Platform

Phantom Reactor was built to last. Our EVO Platform provides you with all the latest updates, wirelessly and hassle-free. Regular performance and compatibility upgrades keep your system state-of-the-art. Simply connect to the Devialet app and let EVO cybernetics do the rest. RIP, planned obsolescence.

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Free shipping across India on most products.

Manufacturers WARRANTY

All products sold by us carry official manufacturers warranty.

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Hotel Astoria - Astotel

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NOTRE DAME DE PARIS

PERFORMANCE SCHEDULE

PERFORMANCE SCHEDULE: NOTRE DAME DE PARIS

FOR GROUPS of 10 or MORE:

Contact broadway inbound.

[email protected]

(866) 302-0995

STUDENT RUSH

A limited number of $32 student rush tickets will be available in-person at the box office on a first-come, first-served basis. A valid student ID must be presented to purchase tickets at the David H. Koch Theater Box Office (20 Lincoln Center Plaza, New York, NY 10023). Tickets will be made available when the box office opens (10am Tuesday-Saturday, 11:30am Sunday) for that day’s performance(s) only. Tickets are limited to two (2) per person. Locations are subject to availability and some seats may be partial view. Offer may be revoked at any time based on prior sales. Cash and credit cards accepted.

TODAYTIX RUSH

A limited number of $32 rush tickets for NOTRE DAME DE PARIS will be available through TodayTix, running daily through the final performance on 7/16/23. Tickets for that day’s performance(s) will be available on the TodayTix app at 9am each day on a first-come, first-served basis. Users can download the app and “unlock” rush tickets by sharing the program on social media ahead of their desired performance day.

TodayTix

NOTRE DAME DE PARIS ended its second limited engagement in New York City at the David H. Koch Theater on July 16, 2023. Productions are coming soon to Montreal and various cities across the United States. And don't miss us in Paris this Christmas. For more information, please click here .

THE ROMANCE. THE DRAMA. THE SPECTACLE.

Now celebrating 25 triumphant years, this international musical spectacular has captivated over 15 million people in 23 countries around the world. Faithful to Victor Hugo’s classic beloved novel, NOTRE DAME DE PARIS tells the emotionally charged love story of the hunchbacked cathedral bell-ringer Quasimodo and his unwavering devotion to the beautiful gypsy Esmeralda. Written by Luc Plamondon, composed by Richard Cocciante, and directed by Gilles Maheu, this awe-inspiring production captures the passion and complexities of love through thrilling music and acrobatic choreography, all performed in front of the iconic French cathedral.

Want to learn more about NOTRE DAME DE PARIS? Visit our international site here.

Notre Dame de Paris | Cast

Angelo Del Vecchio

(quasimodo).

Angelo Del Vecchio was born in Italy in 1991, and at the age of 11 years old, he began studying singing and the piano. In 2006, he took his first steps into the world of theatre. After a long series of auditions, he was chosen by Richard Cocciante to play the role of Benvolio in Giulietta e Romeo , a popular opera, with which he toured around Italy in 2007 and 2008.

From 2009 to 2010, he was part of the artistic cast of Rock Revolution as a soloist, under the direction of Sergio Carrubba. They performed at the Montjuic Olympic Stadium, becoming the leading event of the Nuit Blanche in Barcelona in July 2009. In July 2010, the show debuted in Italy at the Auditorium Parco Della Musica in Rome.

In 2011, Del Vecchio joined the cast of Notre Dame de Paris , playing Quasimodo. He’s thrilled to have participated in the tour that celebrated the tenth anniversary of the show’s Italian version, which played at the Verona Arena in 2012.

Having completed the Italian tour, Del Vecchio joined the international production of the English version, performing in many Asian countries, including China, Taiwan, Japan and Singapore, as well as in European countries including Russia, Luxembourg and Turkey.

For many years, he was a member of the choir in the Cocciante canta Cocciante concerts. Since 2014, Del Vecchio has also taken part in the revival of the Notre Dame de Paris Original French Tour in South Korea, Taiwan and Lebanon.

By starring in the French production, Del Vecchio is the only singer to have performed Notre Dame de Paris in three languages.

Notre Dame de Paris | Cast

Elhaida Dani

(esmeralda).

Notre Dame de Paris | Cast

Daniel Lavoie

An author, composer, actor and comedian, Lavoie was born on the plains of Manitoba and built his credentials as a poet-pianist since he started his career in Quebec more than 40 years ago. He’s most acclaimed for his striking performances in daring projects like Notre Dame de Paris , Human Rights Now , Le Petit Prince , la télésérie Félix Leclerc , Douze hommes rapaillés , La licorne captive and, most recently, Piaf à 100 ans , Vive la Môme! as well as Fortitudes .

Daniel Lavoie has won a dozen Félix Awards in Quebec, four Victoires de la Musique in France and a World Music Award for his participation in the song “Belle” from Notre Dame de Paris . He also has 20 memorable albums to his name, most recently Mes Longs Voyages . He is the author of two volumes of poetry, Finutilité and Particulités and composed for Maurane, Isabelle Boulay, Eric Lapointe, Céline Dion, Mireille Mathieu and many others.

He is recognized everywhere for his unforgettable song Ils s’aiment , which remains just as current today as at the time of its creation.

Notre Dame de Paris | Cast

Gian Marco Schiaretti

(gringoire).

Gian Marco Schiaretti was born in Parma, Italy. At 17, he played Mercutio in the Popular Opera Giulietta e Romeo , written by Riccardo Cocciante, which toured throughout Italy and played 10 times at the Verona Arena.

In 2011, he accompanied Maestro Cocciante in the Cocciante canta Cocciante concerts performed in Verona, Rome, Taormina, Geneva and Shanghai for the Universal Expo. In 2013, Disney Theatrical Group and Stage Entertainment chose him to play Tarzan in the eponymous musical in Hamburg and Stuttgart. Schiaretti played the role for nearly 1,000 performances.

In 2016, Schiaretti moved to London where he was selected to play the role of Che in the musical Evita . The show was performed in the West End and across the U.K. as well as in Germany and Dubai. He resumed the role at the Teatro Regio in Turin in 2018, when the show was presented with an orchestra for the first time.

Other roles include a guest in the concert Magicat the Musical at the Royal Albert Hall in London; Bernardo in West Side Story at the Royal Albert Hall in London during the BBC Proms; and A.J. Golden in the first Cirque du Soleil musical Paramour in Hamburg; and as Phoebus in the international tour of Notre Dame de Paris . In 2021, he played the title role in the international musical Don Juan , written by Félix Gray and directed by Gilles Maheu, and in 2022 he played Casanova in Casanova Opera Pop , written by Red Canzian, which toured Italy and abroad.

In August 2022, he will play Le Duc de Monroth in Moulin Rouge Das Musical in Germany, the show’s European premiere.

Notre Dame de Paris | Cast

Jay grew up in a West Indian family as a lover of gospel. From 1997 to 2000, he was a member of the French group Poetic Lover. They had six singles and two albums on the national charts.

After Poetic Lover’s split, he joined the R&B and hip-hop group Class Vegas in 2001, alongside Patrick Lisée and Sébastien Platon. They released the single “Les Femmes” with M6 Interactions. In 2002, he participated in Luc Plamondon and Romano Musumarra’s musical Cindy . Released in 2002, the show album reached #24 in France and #17 in French-speaking Belgium. A track from the disc Je l’aime en secret , a duo with Lââm, was released later that year, and the gold record sold more than 100,000 copies.

In 2003, Jay did a duet with Tina Arena called “Je te retrouve un peu.” The song appears on Tina Arena’s live album Vous êtes toujours là at Olympia, which was released the same year.

Since 2013, Jay has been a member of the soul group Vigon Bamy Jay, which released their first work entitled Les Soul Men on in 2013. An album of covers, it reached #7 on the French charts and became a gold album. The track “Feelings” achieved the same status.

Notre Dame de Paris | Cast

Alyzée Lalande

Fleur-de-lys.

Notre Dame de Paris | Cast

(Fleur-de-Lys)

Notre Dame de Paris | Cast

Jérémy Amelin

Notre Dame de Paris | Cast

Robert Marien

Creator, set designer, director, artistic advisor... Robert Marien exercises his talents in every domain, from theatre to opera, as well as television and, above all, musical theatre. “It allows me to do everything at once,” as he often explains.

In 1984, the Quebecois singer was part of the cast of the musical Napoléon , with Serge Lama, then did a series of productions in Quebec.

In 1991, his remarkable performance as Jean Valjean in the re-creation of the French version of Les Misérables at the Théâtre Mogador earned him international recognition, from Paris to London to Broadway. His troubling performance as Frollo in Notre Dame de Paris and his sensitivity as Don Carlos in Don Juan in Montreal and Seoul were equally striking.

In 2004, he directed the Starmania 25th Anniversary Concert with the Montreal Symphony Orchestra.

In May 2010, the critics and the public praised his direction of Lucia di Lammermoor de Donizetti at the Opéra de Québec. In January 2013, he worked on the musical Les 4 Filles de Dr March .

During the summer of 2010, Robert performed the role of Captain von Trapp in The Sound of Music .

In 2011 and 2012, he reprised the role of Frollo in Notre Dame de Paris , this time in English, for an Asian tour, then in Russia.

Ending in 2014, the tour went to Moscow, Singapore, Luxembourg and Istanbul, before its great return to Paris.

In September 2015, he threw himself into the new musical N, the Queen of Paris , in the role of artistic and directorial advisor.

In 2016, he directed the Les Misérables 25th Anniversary Concert in Montreal, in which he also played the role of Jean Valjean.

Notre Dame de Paris | Cast

(Esmeralda/Fleur-de-Lys)

Bono studied in the arts of performance ever since she was a child. She studied musical theatre and popular music programs in college. Her biggest dream was always to be part of a professional musical theatre show such as Notre Dame de Paris or in Broadway musicals.

Bono is a hard worker and strong believer that everything in life is possible as long as you work for it and believe in yourself even when everyone else is screaming for failure. She wants to thank all of her wonderful family for always being more than supportive with her and always pushing her further than her limits.

“Without my loved ones, I wouldn’t be where I am right now and a special thanks to Luc Plamondon who discovered me and to whom I am eternally grateful. The best is yet to come, but I thank the universe every day for this incredible opportunity of working with my favorite French rock-opera musical, Notre Dame de Paris .”

Notre Dame de Paris | Cast

Eric Jetner

(phoebus/gringoire).

Notre Dame de Paris | Cast

Philippe Tremblay

Singer-songwriter and musician, Tremblay has been part of the French speaking artistic world for several years. This young man from La Malbaie began to make a name for himself at an early age in his native region of Charlevoix, in the Province of Quebec.

Opportunities quickly followed, and music became his full-time job. At only 19 years old, he was recognized for his unique voice and solid and mature compositions.

In 2020, audiences discovered him during his appearance on La Voix 8, Quebec’s edition of The Voice , where he made it to the semifinals as part of Garou’s team. Following in his coach’s footsteps, he recently played the role of Quasimodo in the musical Notre Dame de Paris by Luc Plamondon and Richard Cocciante.

Notre Dame de Paris | Cast

Lee was born in Reunion Island and at 21 years old moved to Montreal to study in Childhood Education. After graduating in 2009 he turned his talents to singing and acting.

In 2012, Lee was chosen to be on a talent reality show, Star Académie and made it to the male finale. Thanks to this experience, Lee went on tour that summer and completed over 50 shows throughout Canada. Thirty additional tours were scheduled that winter in the Capitole of Quebec.

In 2015, Lee performed in several tribute shows to honor Luc Plamondon at the Qube of Montreal.

In 2016, he began performing in Retroshow, singing vintage and classic music. In 2018, he created and performed in his own show, Bon Chic, Bon Genre , experimenting with the crooner style. In 2020, Lee and a friend dropped an EP called “Smilee” of our original songs.

ACROBATS: Jonathan Gajdane, Nathan Jones, Andrea Neyroz, Arek Szynal, and Ivan Urbano

BREAKDANCERS: Alex Besnier and Tiger

DANCE ENSEMBLE: Lorenzo Arnouts, Antonio Balsamo, Giulia Barbone, Marina Barbone, Wilfried Bernard, Alessandra Berti, Rodolphe Duquesne, Giuseppe Marino, Gabriel Nabo, Alessia Papale, Sonia Picone, Valentin Piers, Anaïs Replumaz, Ivan Trimarchi, Vaïa Venetis, and Roberta Zegretti

Creative Team

Luc plamondon.

A native of Quebec, Luc Plamondon is one of the most respected authors in France and Canada. After attending a Jesuit seminary in Montreal, where he studied ancient Greek and Latin, he traveled to Europe at 20 to study literature and modern languages in London, Berlin, Madrid and Rome and Art History at the School of the Louvre in Paris.

Initially intending to teach and work in journalism, after seeing Hair and Jesus Christ Superstar he quickly realized that his vocation was to write rock musicals. In the ‘70s, he wrote songs for Diane Dufresne, and quickly gained notoriety in Quebec and eventually France. Upon moving to Paris, he wrote for Julien Clerc, Catherine Lara, Johnny Halliday, Riccardo Cocciante and other artists.

In 1979, the musical Starmania , written in collaboration with Michel Berger, was born and immediately became an overwhelming success in France and in Quebec, where it has sold five million records and entertained three million viewers. In 1992, Starmania was made into an album and adapted into English as Tycoon , written by Tim Rice, and sung by Tom Jones, Celine Dion and Kim Carnes, Nina Hagen, Peter Kingsbury and Cyndi Lauper. That same year, Celine Dion recorded a tribute album, Dion chante Plamondon , which sold 1.5 million copies.

Starmania was Plamondon’s biggest success before Notre Dame de Paris , but he has also written other musicals: Plamondon: The Legend of Jimmy (1990) with Michel Berger; Sand et les Romantiques (1992) with Catherine Lara; and Lily’s Passion with Barbara.

In 1998, the singer-songwriter Riccardo Cocciante wrote his masterpiece, the opera-musical Notre Dame de Paris , which debuted in September at the Palais des Congrès in Paris. After Notre Dame de Paris , Plamondon wrote Cindy , an adaptation of Cinderella , by Charles Perreault with compositions by Romano Musumarra. Cindy was first staged in 2002 at the Palais des Congrès.

Plamondon has received the highest artistic awards in both Quebec and France.

Richard Cocciante

Long before Notre Dame de Paris became an international success, Richard Cocciante had established himself as an atypical, distinctive figure of pop music in Europe and South America, becoming one of the most prolific artists as a hugely successful singer-songwriter. His double identity of “Riccardo-Richard” is very apt, as his career represents a unique phenomenon in the international music industry, not only by singing in Italian, Spanish and French, but also by creating different records for each of these three languages. In many countries, some of his big successes have become classics.

With more than forty albums under his belt, on which he has collaborated with several of the biggest names in the music world, Cocciante has explored all the creative processes of composition, from songs destined to be sung by him to composing with and for other artists, while also casting and directing young actors for his Opera Popolare , covering a wide range of musical expressions.

He was born in Saigon to an Italian father and French mother and, at 11 years old, when the family left Vietnam for Rome, Cocciante discovered Italy, its culture and its great musical tradition all at once. Absorbing these varied external influences allowed him to explore very different artistic experiences. His musical education was self-taught, which implies a strong drive and a thirst for perfectionism, combined with a strong independent and cosmopolitan spirit, affirming the plurality of his cultural references and the maturity of his uncompromising, sincere and impassioned artistic character.

His meeting with Luc Plamondon produced numerous texts for himself and for other artists, such as for Céline Dion with “L’amour existe encore.” The quality of their collaboration brought them to a more long-term project: Notre Dame de Paris . A project that would be written, unbeknownst to anyone, without any other pressure than that of the two authors’ creative meetings. Notre Dame de Paris , a genuine international success, defies convention and was worth Cocciante’s gamble; a pastiche of styles, where grand European traditions of classical opera are revisited and mixed by introducing contemporary techniques and rock-pop concert equipment. A second career presented itself - that of composer of Opera Popolare , which made him decide to suspend his recording career.

From Petit Prince to Giulietta E Romeo , while Notre Dame de Paris continues its incredible conquest of the world, translated into nine languages, other new projects are underway.

Gilles Maheu

A multidisciplinary artist: an actor, writer, director, teacher, set designer, choreographer and filmmaker, Gilles Maheu has been a leading director for 40 years, in Canada and abroad. He is also the cofounder of two theatres in Montreal, l’Espace libre and l’Usine C, and in 2015, he was named a Compagnon des Arts et des Lettres du Québec for his important contribution to Quebec’s cultural life.

With his company Carbone 14, he toured over 30 countries and received over forty prestigious awards, including best set design for his show Le Rail in 1985, best concept for his show Hamlet-machine d’Heiner Muller in 1987, and best choreography for the show in 1990, along with the prize for best production for his show Les Âmes mortes in 1996.

Maheu was also the lead actor in Jean-Claude’s cult film Un Zoo la nuit at the Cannes Film Festival in 1987. In 1985, he directed the film Peau, chair et os which won him the Prix de l’Audace at the Montreal International Festival of Films on Art (FIFA) and the Prix Anick de la realization from Radio-Canada, as well as the bronze medal at the New York Film Festival.

In 1998, he directed Notre Dame de Paris at the Palais des Congrès in Paris. Since then, the show has toured in over fifteen countries across the world and has been see by more than ten million spectators. It won the prize for best production and best direction in Canada and in Italy. In 2004, Maheu directed the musical Don Juan by Félix Gray in France, Canada and Korea, winning awards for best production and best direction in Quebec.

In 2007, he was the artistic director on the creation of the musical Butterflies in Beijing and in 2008, he directed Cirque du Soleil’s Zaïa in Macao, China. He is currently working on a book about his theatrical journey, as well as on three new show projects in development for 2019.

Martino Müller

Choreographer, (choreographer).

Martino Müller was born in Arau, Switzerland. Originally, he was a dancer and a skilled figure skater. Based in Amsterdam, Müller became a choreographer. His first professional commitment was as a dancer with the Karlsruhe Ballet Company in Germany. A year later, he joined the Stuttgart Ballet, led by Marcia Haydée. His interest for classical ballet changed when he started to work in contemporary dance with Jiri Kylián. He then moved to the Netherlands to join the Nederlands Dans Theater (NDT I). Müller ventured into choreography in 1992, when he applied to join NDT II, the junior group of the Dutch company. His first piece of choreography “Who’s Watching Who” turned out to be a striking debut and received an important award from the Dutch arts organization.

That same year, Müller was invited to work for the Festival der Künste in Bad Gleichenberg, Austria, which led him to a production called A Woman Can Take You to Another Universe – Sometimes She Just Leaves You There , which NDT I later included in their own repertoire. NDT I then asked him to create a new piece. The premiere of this creation, entitled Heidi , took place in 1994. Since then, he has choreographed for numerous prestigious dance companies, such as the Lyon Opera Ballet, the Deutsche Oper Berlin, the Komische Oper Berlin, the Ballet Gulbenkian in Portugal, the Stuttgart Ballet, Balletmet in Columbus, Ohio, USA, the Göteborg Ballet in Sweden, the Basel Ballet, the Bern Ballet, the Lucerne Theatre, the Israeli Ballet in Tel Aviv and the Croatian National Theatre.

Notre Dame de Paris , nominated for a prize for Canadian theatre in 2000, is Müller’s first time choreographing for a musical. In this show, which continues to tour around the world, he brings modern dance together with acrobatics for the first time. In 2007, the famous Cirque du Soleil invited Müller to choreograph a new, permanent show in Macao, China. The production of Zaia opened in a custom-built theatre in The Venetian Macao, home to the largest casino in the world.

Müller won the award for best musical choreographer at the BWW Italy Awards in 2012, for I Promessi Sposi , a modern opera. He entirely redid the production’s choreography for its tour beginning in 2011. One of his most important creations was the theatre spectacular Peter Pan, The Never Ending Story . The premiere took place at the Forest National in Brussels on December 22, 2012, then toured in the United Kingdom, the Netherlands, Dubai and Qatar, among other places.

In 2014, the Belgian production company Music Hall asked Müller to form a new directing team with the Belgian dramaturg Lulu Aertgeerts. Together, they transformed the arena version of Peter Pan into a new, magnificent piece of theatre, the premiere of which took place in December 2014 in Singapore. The most innovative choreography that Müller has worked on was for the new musical production of Cendrillon . The premiere took place on December 10, 2015 at the Sentosa Resort in Singapore.

Christian Rätz

(set design).

Christian Rätz studied in Lyon at the École des Beaux-Arts and Strasbourg at ESAD. He has designed numerous sets for dance, opera and theatre in France and abroad.

He designed the sets for a number of operas put on by M. Leiser and P. Caurier, such as A Midsummer Night’s Dream , Dialogue des Carmélites and L’enfant et les Sortilèges for the Opéra de Lyon, Dido and Aeneas , L’histoire du Soldat and Werther for the Opera of Lausanne, The Coronation of Poppea , Eugene Onegin and The Magic Flute at the TML in Mézières, Switzerland, The Dybbuk at the National Theatre of Belgium and at the MC93 in Bobigny, Salome and Rusalka at the Spoleto Festival USA, Iphigenia in Tauris in Frankfurt and at the Welsh National Opera, La Belle Hélène at the Scottish Opera, Séraglio et Jenufa at the Opera of Tel Aviv, Iphigenia in Tauris , Orphée et Eurydice and Alceste at the Strasbourg Opera House.

Over the last few years Rätz has designed sets for the following theatre productions: Three Sisters by Anton Chekhov, In the Solitude of Cotton Fields by Bernard-Marie Koltès at the Evora Drama Centre in Portugal, Le Misanthrope, suite et fin by Molière and Courteline at the Théatre de Carouge, Trolius and Cressida at the Almada Theatre in Portugal.

Between 2012 and 2014, he directed Opus Null with texts by Jean Arp, Incidents ou début d’un très beau jour d’été by Daniil Harms and L’heure d’alsacien / Àll die Sproche with texts by André Weckmann. In 2015, he wrote and directed the musical Le vent du diable which was set during the millennium of the Strasbourg cathedral.

Rätz has been in charge of classes at the L’École de Théatre National de Strasbourg since 1978 and he was responsible for training student scenographers at l’ESAD from 2008 to 2011.

Caroline Van Assche

Costume design, (costume design).

As a visual artist, Caroline Van Assche’s vision is holistic. Her progressive costumes allow the audience to witness the depth of the characters and enables the actors to adopt the characters through multiple methods beyond acting.

After two years of studying image arts and five years of textile design in Belgium, Van Assche began her career in costume in 2002 with Céline Dion’s show A New Day in Las Vegas, followed by an aquatic show at Wynn Las Vegas with Franco Dragone. Van Assche then became Franco Dragone’s artistic director and worked on several touring shows. She directed the exhibitions “Quai des Orfèvres” and “Le Tailleur du Rêve” for him in Belgium. She carried out semiological studies for Guerlain, collaborated with C. Lacroix, Théâtre de l’Éveil, CTP Events, Masters of Linen and Modo Bruxelae. She created the visual identity, set, costume and video content of the musical Pinocchio at the Théâtre de Paris and at the Comedia in 2013 and 2014.

Alain Lortie

Lighting design, (lighting design).

For the past 40 years, Alain Lortie has been driven by passion for his trade as a visual designer. He has worked with some of the biggest local and international artists.

Collaborating early on with Canadian multidisciplinary artists the likes of Michel Lemieux, Marie Chouinard and Édouard Lock, Lortie goes on to work with Quebec and European singers such as Diane Dufresne, Robert Charlebois, Daniel Bélanger, Peter Gabriel, Francis Cabrel and Eros Ramazzotti.

He is a nine-time Félix winner at Gala de l’ADISQ, and an eight-time winner of “Lighting Designer of the Year.” He is the recipient of the 1996 Masque award for best lighting for his work on Les âmes mortes (The Dead Souls) , the 1998 Dora Mavor Moore Award in Toronto for his work in 1997’s Oedipus Rex and was the artistic director of the “Festival Montréal en Lumière” (2001-2005).

Some of his most memorable creations include Starmania (1993), Notre Dame de Paris (1998), Arturo Brachetti (1999), Cavalia (2003) and Odysseo (2011). Lortie is part of the Cirque du Soleil’s creative team; some of his collaborations include Soleil de Minuit (2004), Delirium (2006) and Zarkana (2011), as well as Toruk - The First Flight (2015).

In 2005, he began developing his contacts on Asia’s cultural scene, working first in China as lighting director for the Shanghai Circus World’s Era (2005) and lending his expertise to musicals such as Butterflies (2007), Love You Teresa (2010 and 2014), Mama Love Me Again (2013) and Ah Kuliang! (2013). In LiJiang he designed The Sound of Yunnan (2016) with the famous dancer Yang Lipin. In Taipei, he worked on Love Carmen (2006) and Tanya Chua’s (2013) Serendipity Tour .

Since 2014, Lortie has been collaborating with Franco Dragone on several productions, including The Han Show (2014) in Wuhan, China; La Perle (2017) in Dubai; and on Russian singer Philipp Kirkorov’s shows (2016). In 2016 at Radio City Musical Hall in New York, he was the lighting designer for the Rockettes’ New York Spectacular . In 2019, Lortie worked at the Opéra de Montréal, collaborating with Charles Binamé on his version of Bizet’s Carmen . He also worked on the unique concert of Roy Wang in Nanjing, China, and is the mastermind behind the lighting for choreographer/dancer Louise Lecavalier’s Mille Batailles (2016), So Blue (2011) and Stations (2020).

Sébastien Quinet

Hair design, (hair design).

Sébastien Quinet studied in Lille at the Ecole des Beaux-Arts and is a member of the French national hairdressing team. With more than ten years of high-level, international experience, Quinet has won many international titles, including French Champion 2004, European Champion in 2009 and World Champion in 2010.

In 2002, Quinet was noticed by Thierry Tixier, who asked him to design the hairstyles for the musical spectacular Le Roi Soleil . Building on this success, Quinet then designed hairstyles for some of the greatest French musicals, operas and more including Rabbi Jacob , Mozart , Opera Rock , Les Dix Commandements , Mistinguett , Reine des années folles and Dirty Dancing . In 2016, Quinet took his place in French cinema when Catherine Leblanc gave him asked him to design hairstyles for Un peoples et son roi , Au Revoir La-haut , The French Dispatch , Totems , and Marie-Antoinette .

Serge Perathoner & Jannick Top

Arrangements & musical direction, (arrangements & musical direction).

Jannick Top is the bassist and co-founder of the group MAGMA, and since 1978 became a musician-collaborator with Michel Berger, then the conductor with Johnny Hallyday. Serge Perathoner’s career began with Yves Simon, with whom he composed the music of Diabolo Menthe in 1977. Afterwards, Perathoner formed the group Blue Rose with David Rose.

Top and Perathoner crossed paths in the studio but properly met in 1984 on stage with Zénith with France Gall and decided to work together. They are among the best musicians in the studio and French scene, but they are particularly excited to employ their talents as musical directors.

They have created albums for such artists as Johnny Hallyday, Céline Dion, France Gall, Sylvie Vartan and Jacques Dutronc. As close collaborators of Michel Berger, they arranged and did the musical direction of the rock opera Starmania (versions 1988 and 1993) at La Légende de Jimmy (1991). In 1997, author Luc Plamondon and composer Richard Cocciante entrusted them with the musical spectacle Notre Dame de Paris .

MUSICIANS: Marc Chantereau (Percussion), Claude Engel (Guitar), Serge Perathoner (Keyboard /Piano), Claude Salmieri (Percussion), Jannick Top (Bass), Hubert Bougis (Orchestra Aurora/Orchestration), Christophe Guiot (String quartet: La monture), Jean-Claude Oudot and Evelyne Lagarde (Director of the French choirs). Choir of immigrants / Choir leader: Marina Albert, Régie Ambre Foulquier and Le Petits Chanteurs de Bondy (The Little Singers of Bondy). Mixing: Manu Quiot.

Nicolas Talar & Charles Talar

Producer, enzo productions, nicolas talar & charles talar, (producer, enzo productions).

Nicolas and Charles Talar are the original producers of Notre Dame de Paris . Charles Talar was one of the major independent music producers from the 1970s to the 1990s, working with Francis Cabrel, Serge Lama and Mike Brant to name only a few, selling several dozens of millions of albums. In 1996, he dedicated himself to developing Notre Dame de Paris , creating the most successful French production ever and was joined by Nicolas Talar in 2000. In 2002, they produced Cindy by Luc Plamondon, Les Enfants du Soleil by Didier Barbelivien (2003) and Don Juan by Félix Gray (2004). Since 2006 they also developed productions of children’s shows with Oui-Oui , Dora l’exploratrice and Princes et Princesses , adapted from the tales by Michel Ocelot and recently, Emilie Jolie by Philippe Chatel. Between all their productions, Charles and Nicolas Talar have presented over 7,500 performances, seen by over 18 million people. Most recently Nicolas and Charles Talar have been credited as co-producers on the Tony Award-winning Best Musical Moulin Rouge! on Broadway, West End, North American Tour and Australia, Edmond de Bergerac and What’s In A Name (UK tour) and the Broadway revival of Funny Girl .

Adam Blanshay

Producer, adam blanshay productions, (producer, adam blanshay productions).

Adam Blanshay Productions is a London-based theatre production company which produces, co-produces, and manages a wide range of plays, musicals, comedies, digital content, and live event theatre across the UK, West End, Broadway, and Australia. Producing over 60 productions worldwide, winner of 8 Tony Awards, 8 Olivier Awards, and a Helpmann Award. Current productions include Brokeback Mountain (West End); Oklahoma! (West End); Aspects of Love (West End); Funny Girl (Broadway); Moulin Rouge! (Broadway, West End, US tour, Australia); Come From Away (North America, Australia). The Theatre Channel (web series). Recent productions include: Joseph and the Amazing Technicolor Dreamcoat (UK Tour & Toronto); Pippin (Charing Cross Theatre); La Cage aux Folles [The Play] (Park Theatre); What’s in a Name? (UK tour); City of Angels (West End); Waitress (West End); Lucie Jones - Live at the Adelphi , The Inheritance (Broadway); Kinky Boots (Off Broadway & UK tour); Fiddler on the Roof (Menier and West End); Network (Broadway); Edmond de Bergerac (Birmingham Repertory Theatre and UK tour); Intra Muros (Park Theatre); Notre Dame de Paris (London Coliseum); Consent (West End); Angels in America (Broadway); The Color Purple (US tour).

Ava Millard

Assistant producer, adam blanshay productions, (assistant producer, adam blanshay productions).

Originally from Bath, Ava moved to New York in 2017 to study screenwriting at New York Film Academy. She is an alumnus of the National Film and Television School - Writing and Producing Comedy, Advertising Producers Association, VCCP Ad School and The National Theatre Connections - Young Writers. Ava has produced for brands such as Boots, EA Sports, Pip&Nut and Dettol, and her music video credits include Gott Street Park (“Everything”), Flyte (“I’ve Got a Girl”) and AG Cook (“Beautiful Superstar”). Ava is Production Coordinator for The Theatre Channel, Assistant Producer for Notre Dame de Paris and was Assistant Producer for the 2021 production of Pippin at the Charing Cross Theatre. She is currently developing Roll Over Picssso , a new play, for which she is a co-writer and producer.

Given the ongoing impact of the COVID-19 pandemic, we have made the decision to postpone the upcoming performances of NOTRE DAME DE PARIS at the David H. Koch Theater to July 13 - 17, 2022.

We regret any inconvenience caused by these changes, as we look to adhere to the measures outlined by our public officials to ensure the safety of our patrons, artists, staff and the general public.

Please contact the David H. Koch Theater call center at 212-496-0600 or email [email protected] to discuss ticket exchange options.

Thank you in advance for your continued patience and support as we begin to assist you in processing your request.

We look forward to seeing you in 2022.

IMAGES

  1. PHANTOM II 98 DB OPÉRA DE PARIS

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  2. PHANTOM II 98 DB OPÉRA DE PARIS

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  3. Devialet Phantom II 98 dB Opera de Paris Wireless Speaker

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  4. Devialet PHANTOM II 98 DB OPÉRA DE PARIS

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VIDEO

  1. Phantom of the Opera-Overture

  2. Trên tay loa Devialet Phantom II 98dB

  3. PHANTOM OF THE OPERA

  4. 08 The Phantom Of The Opera

  5. Впечатление от Devialet Phantom I Opera de Paris

  6. DEVIALET Phantom II 98dB

COMMENTS

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  21. Bolshoi Theatre • History

    1776. The date 28th of March is considered the founding day of the Moscow Bolshoi Theatre. In 1777, the companions bought the house of Prince Lobanov-Rostovsky, located on Petrovka Street, in order to erect a new theatre building in its place. The opera house on Znamenka Street, where performances were given earlier, burned down in 1780 Prince ...

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